Showing posts with label Personality Traits. Show all posts
Showing posts with label Personality Traits. Show all posts

Monday, August 26, 2013

Hakuna matata--it's the Seekerville Safari!

Jambo, Seekervillagers! Myra here, recently returned from an 18-day African adventure! We spent a week with our daughter and her family, missionaries currently based in Addis Ababa, Ethiopia, then connected with a group from our church for a photo safari through Kenya.

As you’d expect, I came home with wonderful memories AND over 1200 photos!! As I’ve been browsing through my photos and reliving this amazing experience of a lifetime, I realized many of the animals we saw have the potential to teach us a lot about ourselves, both in our everyday life and as writers.

So grab your binoculars, hop on the safari tram with me, and let’s explore!

First leg of the journey is a back highway through Ethiopia. It seems every roadway must be shared with cattle, donkeys, horses, and goats, so you have to drive both defensively and offensively (something my daughter and son-in-law are getting a lot of practice with!). The problem with goats is their unpredictability. Just when you think they’re moving purposefully across the road, they suddenly do a 180 and you have to swerve or slam on the brakes (or else the owner is having barbecue tonight).



Do you often find yourself randomly changing course with no clear direction in mind? Maybe it’s time to review your goals and refocus.

Our first stop is Lake Awasa, Ethiopia, where we come upon the vervet monkey. Considered pests when in close proximity to civilization, these monkeys are always looking for a handout. This guy’s sorting through a trashcan at the retreat center where we spent three nights.



Are you ever guilty of subsisting on handouts and hoping someone will throw you a juicy tidbit? A sure sign is if you keep rehashing the same manuscript instead of moving forward. Stop living on leftovers and go for something fresh!

High in the treetops on the shores of Lake Awasa, we spot the majestic fish eagle. This bird is described as “opportunistic” and is not above stealing food from other birds. It also preys on mammals, fish, reptiles, and smaller birds.



“Opportunistic” can be a good trait or a negative trait. Which is it for you?


Now we’re heading south and crossing the border into Kenya. Our first destination is the Samburu National Reserve. Here we spot the graceful gerenuk, also called the giraffe gazelle. See how she stretches up to nibble the top leaves of the thorny acacia bush?



Are you content to “nibble” on what’s within easy reach, or are you ready to stretch yourself and strive for something better? Do you need to grow your writing skills? Try a new publisher? Maybe even change genres?

Another graceful animal is the reticulated giraffe. You might assume these fellows are being affectionate with each other, when actually they’re vying for dominance (and to impress a potential mate). It’s kind of a passive-aggressive dance, and whoever has the strongest neck wins!



Remember, being stiff-necked is not always a good thing! When faced with conflict, are you the passive-aggressive type, or are you self-assured enough to stand on your own merits?

Next, we come upon the red-billed hornbill. You may recognize him as Zazu from The Lion King. The mother bird seals herself inside the nest with the eggs, and the male brings her food through a small opening.



Do you tend to shut yourself away while “incubating” a story idea? Who or what sustains you during “gestation”?

This lioness has her eye on the prey, and not even 30-40 avid photographers snapping away can distract her from the hunt.



Do you have a singleminded vision for your life and work? How do you shut out the distractions?

Time to continue our journey southward. We’ll stop at Serena Mountain Lodge on the slopes of Mount Kenya. Many different animals visit the watering hole behind the lodge, but one of the most impressive is the African cape buffalo. You can tell the males because their horns form a solid mass across their foreheads and are impenetrable even by a rifle bullet.



Hardheadedness can sometimes be an asset, but it can also close us off from new ideas. How receptive are you? Are you sometimes too stubborn for your own good?

Also approaching the watering hole are elephants, warthogs, hyenas, and bush bucks, but for now, it’s time to continue our journey. Next, we arrive at The Ark Lodge in Aberdare National Park, where we step out onto the overlook to view another watering hole in lush, green surroundings.

One of our visitors is the hyena, who doesn’t seem fazed by a herd of cape buffalo. Though rumored to be scavengers, hyenas are actually skillful hunters. They are territorial, and are usually most active at night.



Do you protect your writing territory with the courage of a hyena? When is your most successful “hunting” time--morning, afternoon, late at night?

That’s all we have time for at this stop. We travel now through the Great Rift Valley, where we’ll stop for a boat ride on Lake Naivasha to view hippos in their natural environment. Did you know hippos can be quite aggressive and can easily outrun a human?



Introverted writers often hide much about themselves below the surface. Sometimes we need to be brave, come out of hiding, and allow others to get to know our true selves.

Next, let’s continue to the Masai Mara, where we’ll stay in luxury tents at the Sarova Mara Game Camp. Lots of animals to see here, so let’s get started!

We’ll see birds aplenty, so let’s start with the lilac-breasted roller, a flamboyantly beautiful bird who perches out in the open where it can more easily spot insects, lizards, and other prey. Both male and female aggressively defend their nests.



This bird’s motto might easily be, “If you’ve got it, flaunt it.” For writers, though, we must often walk a fine line between aggressive self-promotion and godly humility. How hard is it for you to keep the two sides in balance?

Another bird spotted on safari is the ostrich. When threatened, the ostrich will either flatten itself against the ground or run away. However, if the bird is cornered, those powerful legs can become lethal weapons!



Think about how you respond to negative critiques or book reviews. Is your first impulse to hide, run away, or lash out? How could you respond more constructively?

Uh-oh, look up in that tree--vultures! The lappet-faced vulture is among the largest of the species. It feeds on carrion, typically waiting until the usual scavengers are finished and then coming in to feast on what other carrion birds won’t eat.



Sounds like the ultimate cleanup crew, doesn’t it? Let someone else do all the dirty work, then step in to finish things off. If you’ve ever shipped off a not-so-polished manuscript to your critique partner or editor expecting them to fix it, you may have a few vulture tendencies.

Across the savanna we spy a herd of zebras. Zebras are social animals with excellent vision and hearing, plus an acute sense of smell and taste.



Sensory awareness is definitely a trait every writer needs to develop in order to make our scenes and characters more fully alive.


There, hiding in the tall grass--a male lion! He looks content and well-fed, wouldn’t you say? Not surprising, since it’s usually the females who do the hard work of hunting. The male typically stays home and babysits the cubs.



Lions are a great example of cooperation and compromise. Life is so much easier when our immediate families or circle of friends are there to pick up the slack when the pressure is on.

The last big cat on our African adventure is the cheetah. Of all the big cats, the cheetah is the least adaptable to new environments. It hunts by vision rather than scent. While the cheetah is fast, because it is a sprinter, if it doesn’t catch its prey quickly, it gives up. The cheetah’s real advantage is maneuverability. It can change direction much more rapidly than any other animal.



Do you sometimes want to give up when the “chase” seems too long and arduous? Maybe you need to develop your flexibility and be willing to change direction as the situation requires.

This is the season of the Great Migration, so the wildebeests are on the move. Wildebeests are considered to have “swarm intelligence,” meaning they move as one entity to overcome obstacles and danger. Their primary defense is herding, the older animals protecting the younger ones.



While we don’t want to lose our individuality as part of a “herd,” a mutual support group can be advantageous. Do you have a group where you feel safe and protected?

Is that a herd of elephants in the distance? African elephants are highly intelligent. Adult males usually live alone, while the females, led by a matriarch, form a protective clan and share in the care of their young.




Like the elephants, we can benefit from being surrounded by a strong, supportive “clan,” which is exactly what we strive for in Seekerville. We hope all our visitors feel welcome and cared for here. Thanks for being part of our family!




Well, the sun is setting and it’s time to head back to camp. I hope you enjoyed the Seekerville Safari and perhaps learned a thing or two from the animals we saw. Did you find any favorites?

Share your thoughts and mention “Kenya coffee” in your comment if you’d like a chance to win a bag of roasted coffee beans from Kenya.


Photos by Myra Johnson

Coming in September: When the Clouds Roll By, book 1 in the “Till We Meet Again” series from Abingdon Press. Annemarie Kendall is overjoyed when the armistice is signed and the Great War comes to an end. Her fiancĂ©, Lieutenant Gilbert Ballard, is coming home, and though he is wounded, she is excited to start their life together. But when he arrives, her dreams are dashed when she learns Gilbert is suffering from headaches, depression, and an addiction to pain killers. This is not the man she had planned to marry.

After serving in the trenches, Army Chaplain Samuel Vickary is barely holding onto his faith. Putting up a brave front as he ministers to the injured soldiers at the hospital in Hot Springs, Arkansas, he befriends Gilbert and eventually falls for Annemarie. While Annemarie tries to sort out her confused feelings about the two men in her life, she witnesses firsthand the bitterness and hurt they both hold within. Whom will she choose? Will she have the courage to follow her heart and become the woman God intended her to be? As the world emerges from the shadow of war, Annemarie clings to her faith as she wonders if her future holds the hope, happiness, and love for which she so desperately longs.

Monday, April 22, 2013

Going Mental with The Mentalist


Pam Hillman
Several conversations in writers groups, other authors, and here in Seekerville started me on a journey a few weeks ago. One author asked a group of us if we were analytical, and if we had trouble expressing thoughts, feelings, and emotion in general and in our novels. That really stuck with me, and I pondered it for about a week before emailing her and engaging in dialogue.

Here was my response, “I would have to say yes, although I'm much more open about sharing now than I used to be. Many years ago, a well-known author critiqued one of my stories and said I was ‘almost there’, but that she had the sense I was holding back. I've always contributed that ‘holding back’ to the fact that I'm very reserved, holding my personal feelings, emotions, and thoughts to myself. I've never thought that it was also because I'm analytical.”

A few weeks later, another author made a similar observation on a writers' loop. On a whim, I emailed her and asked her if she would consider herself an analytical thinker, and she gave me a resounding yes. Hmmm, could analytical types have a hard time expressing emotions on the page? It was worth digging into just a bit more.

Now, while I was pondering all of this, another light-bulb moment occurred. Missy Tippens had a great post in Seekerville titled 3 Tips for Hooking Readers where she discussed hooks, emotions, and connecting with readers. But of course, we, as authors have to connect with our characters first, who in turn connect with our readers.

Are you ready for the grand finale? In true Mentalist fashion, it all came about from one sentence in the comments section of Missy’s post...

Readers are drawn to heroines that reflect themselves a lot of the time.” Ruth Logan Herne, "The Chief" on the Personality Test. Just sayin'


Immediately, the analytical part of me started to wonder what the most common personality trait of women, who are our primary readers, would be. And there’s nothing like a personality test and Mr. Google to help me find the answer to that burning question. A hop, skip, and a jump across the internet and I found what I was looking for. The My Personality website. What a perfect place to go a little mental!

Note: Several of you participated in a personality test to help with this blog post. Thank you!! For those who missed the test and would like to take it, go to the My Personality website and take the Basic Personality test. But come straight back to Seekerville, because there’s more…


So, now that everyone has taken the test and has their 4 letter personality type in hand, let’s get down to the meat of this blog post.

Are you ready?

Today's post is not about what we are at all...
...it's about what we are not.

Of the respondents who took the personality test, 94% did not fall into one of the two most common personality types for women. As you can see from the personality chart above, the two most common personality types for women are ESFJ “The Suppporter” at 17% and ESFP “The Entertainer” at 14%.

That’s a whopping 31% of all women.

94% of authors who took this personality test are not ESFJ or ESFP. That means that 94% of the authors responding don't have the same personality traits as the majority of women.
  
The good news is that I’ve read books by almost all of the authors who responded to my survey, and they have no trouble writing heroines with personalities sprinkled all across the personality map, so most of us don't need to do a thing. This isn’t to make anyone think they need to change the way they write at all, but is just another tool to add to our tool kits if someone struggles with this.

Now, what to do about this conundrum?

One way to write outside of our personality zone is to think of people whose personalities are similar to the top two most popular categories, or watch movies with those characters. Study those personality traits on the My Personality site, and practice writing an ESFJ or an ESFP character.

"For the ESFP, the entire world is a stage. They love to be the center of attention and perform for people. They're constantly putting on a show for others to entertain them and make them happy. They enjoy stimulating other people's senses, and are extremely good at it. They would love nothing more than for life to be a continual party, in which they play the role of the fun-loving host."

The above description does not fit me at all, but I know people like this (Captain Jack comes to mind! lol). I can write about them. I can study them  in movies, and learn how better to portray them on the page.

Time has gotten away from me, and I would love to delve deeper into this topic. Many of you also sent me your three strengths and weaknesses as a writer, and I wish I could have incorporated that into this post. There just wasn’t time or room to discuss it all.

We'll talk more in the comments about the different personality traits and how we can use them ... not to label or change ourselves ... but as a tool to help us write characters readers relate to on a more personal level.


Today's giveaway is a copy (print or eBook) of Brandilyn Collins'
Please specify in the comments if you would like to be in the drawing.

~ ~ ~

In light of her father’s death, Mariah Malone sends a letter that will forever alter the lives of her family. When Slade Donovan, strong willed and eager for vengeance, shows up on her front porch, Mariah is not ready to hear his truths: her father’s farm, the only home she’s ever known, was bought with stolen gold. With Slade ready to collect his father’s rightful claim and force Mariah and her family out on the streets, Mariah must turn to God for guidance. Though Mr. Fredrick Cooper, a local landowner, promises to answer her financial woes if she agrees to be his bride, Mariah finds herself drawn instead to the angry young man demanding her home.

Pam Hillman was born and raised on a dairy farm in Mississippi and spent her teenage years perched on the seat of a tractor raking hay. In those days, her daddy couldn’t afford two cab tractors with air conditioning and a radio, so Pam drove the Allis Chalmers 110. Even when her daddy asked her if she wanted to bale hay, she told him she didn’t mind raking. Raking hay doesn’t take much thought so Pam spent her time working on her tan and making up stories in her head. Now, that’s the kind of life every girl should dream of! Claiming Mariah is her second novel. www.pamhillman.com

Wednesday, July 11, 2012

THE QUEEN OF QUIRK ... And Giveaway!!

Okay, I’ll be the first to admit it—I’m a character. Or at least that’s what my mom used to say, but somehow I never took offense. You see, to me, being a “character” meant you weren’t ho-hum and boring—but unique, different, quirky.

You know, kinda crazy and kinda fun? The kind of person people usually remember and one who has a penchant for creating memories people don’t forget? For instance one of my quirks is that when it comes to games, I am as competitive and vicious as they get, especially when playing the game of Spoons, wracking up broken nails, bloody fingers and gouged hands galore. Once I even snatched the spoon so fast, my chair toppled back into a plate-glass window. But, you will be happy to know—I got the spoon! Of course the low point of my Spoons obsession came when I returned from the restroom during a game to discover my friends had replaced the spoons on the table with butcher knives. Ouch! Trust me—I got the point.

Okay, okay, when it comes to life, being a sore loser or crazy-nuts competitive may not be the ideal trait or quirk to have, but when you’re creating characters in a book? Oh, honey—you bet! Because the bottom line is that quirks, flaws and habits can help humanize your characters and endear them to your readers, embedding a memory—and hopefully your story—into the reader’s brain.

I’ll be honest with you—I am not the “Queen of Quirk,” but I sure do like to give my characters quirks, and here’s why.

QUIRKS CAN ENHANCE YOUR WRITING AND YOUR CHARACTERS:

1.)   Quirks Make Characters Interesting and Relatable. Take Mitch Dennehy for example, my hero from A Passion Redeemed. Mitch is a gruff, no-nonsense newspaper man whose biggest quirk is he doesn’t mince words OR use a lot of them in a sentence, which I hope helps him come off as a lovable grouch such as in this example:

He stared, his breath shallow and his iron will liquefying into a puddle of metal. He pushed her back on the bed and descended, his mind focused only on the lips he craved to taste. Dear Lord, he had to have her.
Soon.
He jerked away, eyes glazed with desire. “Tomorrow. We get married tomorrow.”
She grinned. “Perfect.”
He frowned. “Is City Hall open on Saturdays?”
“I think so.”
He stood. His legs felt shaky and a nerve twitched in his cheek. Desire or nerves? He wasn’t sure. He jabbed a finger. “So help me, Charity, after we’re married, no more lies. Do you hear?”
She nodded. “Whatever you say, Mitch.”
He exhaled loudly and headed for the door.
“Mitch?”
“What?”
“I love you.”
“Yeah.” He jerked the door open.
“Do you love me?”
He turned to give her a half-lidded gaze, wondering which was stronger—the desire to make love to her or the desire to put her over his knee. He groaned inwardly. No contest.
“Yeah, unfortunately.”

In Myra Johnson’s One Imperfect Christmas, the very stressed-out heroine, Natalie, has an assistant named Deannie who has this uncanny way of sneaking up on her, which as a very wired individual, I can certainly relate to. When it happens to me, I usually jump a mile in the air, so I completely emphasize with poor Natalie in Myra’s clip below:

Clutching the flyer, Natalie stormed through the shop and slammed open her office door. With flying fingers she typed the password to open the Moonbeams file. She sucked in her breath when she saw the star in the window, exactly as it appeared in the flyer. By some horrible fluke she’d called up the wrong graphic.
“Bummer.” Deannie’s softly spoken comment startled Natalie half out of her wits.
“Deannie! For heaven’s sake!” She slapped a hand against her chest and spun around to see the girl hovering just behind her. “I wish you wouldn’t do that.”

2.)   Quirks Can Add Humor. As far as I’m concerned, one of the best ways to add humor to a story is to give a character a quirk such as Seeker bud Audra Harders did in this clip from a ms. called No Place Like Home, giving her heroine the quirk of night blindness to add a touch of humor to this wonderful scene:

            “What are you doing?”
            “I’m pulling off to check out the lodge,” she answered distractedly. The truck slowed to ease over a bump.
            “Why?”  Nick gritted his teeth against the jarring ride. “Can’t you wait a mile?”
            “A mile?”
            “The sign back on the highway said Rest Area, 1 mile. Can’t you wait that long to do your thing?”  A deeper bump rocked the truck to the side. “Ow!”
            “Sorry,” Rachel said, not sounding sorry at all. “Actually, my thing is exactly why we’re here. We have to stop for the night.”
            He glanced from her face to her whitened knuckles gripping the steering wheel. “You’re not sick, are you?”
            Her brows knitted together sharply. “Only of your grump, cowboy.”
            “Look, we’ve been making good time on an empty highway,” he coaxed, trying a different tactic, one so foreign and rusty, he wasn’t sure if he’d be able to pull it off. “Another four hours, five max and we’ll be in Casper before you know it. Now be a good girl, go to the bathroom and let’s get on down the road.”
            “Sorry, big guy,” she said on a sigh. “No can do. I can’t see in the dark. Night blindness.”
            Dusk was quickly turning to dark as Nick watched the play of emotions across her face. His stomach sank as he realized she was serious. “Can’t see?” he parroted. “Not even a little?”
            “It’s a rod-cone thing. Supposedly I’m missing some of one or the other. Anyway, unless I can feel my way, I don’t do anything at night.”
            Nick wasn’t sure how to respond to that comment, so he wisely chose silence.

In my upcoming “Heart of San Francisco” series, one of my editor’s favorite characters was the distinguished elderly and near deaf/blind butler named Hadley, whose quirk of selective hearing/seeing adds an extra bit of quirky humor to the story. Especially when our dear, old boy butts heads with the prickly housekeeper/cook, Rosie Fitzsimmons, as indicated in the two following clips.

“Hadley!” Rosie poked her head out the kitchen door. “I need you to snap the peas, lickety split.”
The butler clicked his heels. “Yes, miss, tap the bees—honey coming right up.”
“Peas!” Rosie screamed.

The front door opened and Hadley stepped through with a newspaper under his arm, distinguished as always in his crisp white shirt with black tails despite the sprig of juniper in his hair. A smile played at the corners of Caitlyn’s mouth as she stared at her beloved butler, his craggy face especially handsome with the absence of his new glasses. “The paperboy missed again?” she asked loudly enough for him to hear, plucking the juniper from his silver hair.
“I’m afraid so, miss,” Hadley said with his usual calm, a smile shadowing lips that never voiced a complaint. “I do believe the young ruffian relishes the thought of me rifling through the brush each morning. But I don’t mind. Rather like a trek through the jungle, if you will.”
She stood on tiptoe to graze an affectionate kiss to the old butler’s cheek. “Perhaps because you’ve misplaced your glasses again, Mr. Hadley?”
His eyes actually sparkled. “At times I find life to be more of an adventure without them, miss,” he said with an imp of a smile, “especially where Mrs. FitzSimmons is concerned.”
Caitlyn chuckled. “I do believe there’s a scamp beneath that regal pose, dear Hadley.”
He smiled. “With Mrs. Fitz, miss, one finds his pleasure wherever he can.”

3.)   Quirks Can Humanize or Soften Hard-to-like Characters or Antagonists. One of the hardest things I’ve ever done was to take a character people loved to hate like the manipulative vixen sister in the “Daughters of Boston” series, Charity O’Connor, and use her quirks of manipulation to soften or humanize her. I mean this was the character that readers actually wrote and asked me to “slap Charity for them” or wanted to see her “maimed” or “killed” in book 1, A Passion Most Pure. But hopefully those same quirks of manipulation brought a smile to a reader’s face in the next book, A Passion Redeemed, when Charity lies in wait in the back seat of Mitch Dennehy’s car while he's on a date or when she put cracker crumbs in her eyes to manipulate him with tears. Throughout the rest of the series, this quirk of manipulation adds humor and softness to her when she becomes the family matchmaker and schemer such as in this clip from A Passion Denied:

“You want me to kiss Brady?” Lizzie’s voice was little more than a squeak.
“Only as a last resort if he doesn’t kiss you. Call it Plan B.”
“But, how …?”
Charity studied her sister, her lips skewed in thought. “Well, it would certainly help if you could cry. Can you cry on demand?”
Lizzie blinked. “I’ve never tried. But why do I have to cry?”
“Because it weakens their defenses. I suggest you practice in your room. If you have trouble, try putting something irritating in your eyes like a cracker crumb or anything like that. Once your eyes begin to water, just think about how much you love Brady and how awful it would be if he didn’t love you back. Then, voila! Cry yourself a river.”

4.)   Quirks Can Add Drama and Mystery. One of the things I remember most about Mr. Darcy in the latest movie version of Pride and Prejudice is how he would flex his hand when he was fighting nervousness, a quirk that neatly showed he was human despite his arrogant air. Or in Tamera Alexander’s novel, Within My Heart, where the hero, Rand Brookston, Timber Ridge's physician, purchases huge amounts of lamp oil and nobody knows why until later in the book, when it reveals a deep secret and inner failing.

In the following clip from Mary Connealy’s, Over the Edge, the hero Seth got married after the war, but because of his injuries, he doesn’t remember. However, the feel of his wife Callie's hair is a memory for him, so he likes to touch it and release it from its braid, which becomes a quirk of his. He keeps doing it and she keeps trying to stop him. When she finally lets go and allows him to touch her hair, we know she's learning to trust again such as in this clip:

He had a flash of a memory of her rubbing his back. Or no, maybe bandaging his back. He was lying on his stomach and he looked back to see her touching him, leaning over him. He felt her silky hair spilling onto his back. Loose. Surely a nurse kept her hair tied back. And she smiled. He knew the moment was a true memory and not some kind of dream. And the way she touched him, the intimate way she smiled, this had to be after they were married. It sure better have been, considering where the memory took his thoughts. Oh, he could well imagine wanting to marry her bad.

5.)   Quirks Can Humanize our Heroes/Heroines. Tina Radcliffe’s heroine in Oklahoma Reunion, Kait Field, cleans when she is stressed and she's stressed a lot, a quirk that helps lighten an otherwise negative habit in a character, making Kait both relatable and endearing, such as in this excerpt where she and her daughter go to have dinner at the hero, Ryan Jones' house.

Kait turned and inspected the kitchen in stunned surprise. The entire room from the granite countertops, white bead board cupboards to the checkerboard floor tiles gleamed. “What happened? Everything is so, so...”
“What?”
Clean.”
Ryan shrugged, and shot her a lopsided grin.
“I think you might possibly be cleaner than me.”
“Hey, let’s not get carried away. No one is cleaner than you, Kait.”

Throughout the O’Connor saga, Collin McGuire is a drop-dead gorgeous hero who’s lousy at sports, and his brothers-in-law never let him forget it, which helps humanize his exalted hero status, as indicated in these two clips from A Hope Undaunted and A Love Surrendered.

With a hint of a smile, Sean scratched the back of his head and closed his eyes. “As a matter of fact, Collin told me once that the only reason Father agreed to let him come courting in the first place was because of Mother. Apparently she convinced him that at one time, he’d been just like Collin.”
A smirk lifted Steven’s brow. “You mean lousy at sports?”

Steven cleared his throat. “For you information, sis, unlike Collin, I win by skill.” He flicked a stray crumb of pie at his sister.
“Hey—so my wide range of talents doesn’t include Pinochle,” Collin defended.
“Or basketball, or baseball or chess …” Luke said with a grin.

6.)   Quirks Can Deepen a Character by Revealing Hurts in a Character’s Life. In MaryLu Tyndall’s book, Surrender the Dawn, the hero Luke is always rubbing his earlobe when he feels guilty. Why? According to MaryLu, it’s because he injured it while trying to rescue his parents from a burning building, an attempt at which he failed, thus reminding the reader of his painful past and invoking an empathy with a simple quirk like rubbing his ear.

Or in my novel, A Hope Undaunted, the heroine Katie O’Connor rubs her elbows when she’s insecure, harkening back to a time in her past when she was ridiculed by classmates for having psoriasis on her legs, arms and elbows.

SO … how do I come up with quirks to enhance my novels? Well, at the end of this blog, you’ll find a list of all the quirks I was able to find on line and some I thought of myself, so have at it. BUT ... A WORD OF WARNING ABOUT ALL QUIRKS: Quirks are the easiest things to overdo in a book, so PLEASE use them sparingly. For instance in the case of an accent, I tend to avoid accents at all cost because A.) they're difficult to do correctly and convincingly and B.) they can grate on the reader's (and the writer's!) nerves. That's why the ONLY Irish word quirk you hear Patrick O'Connor say in my books is "darlin'," and even that I have to tone down at times to avoid overkill. Same thing with Marcy's glazing her teeth with her tongue—I will literally take out half of these or more in the editing stage. But that warning said, here are a few easy ways you can brainstorm new and clever quirks to endear your characters to your readers.

HOW TO COME UP WITH CREATIVE QUIRKS FOR YOUR CHARACTERS:

1.)   Think about Self Characteristics. Boy, was this fun—you should try it!! I actually did it and came up with the following quirks that I personally have, which I may just give to a character or two! I actually used the first one already—liking underdone or light pastries and breads because in A Passion Redeemed, Charity always switches her dark roll for Mitch or Brady’s light ones when they’re not looking.


o   Only eat light or undercooked pastries and breads
o   Only like to eat blue M&Ms and will NOT eat brown ones.
o   Always roll or push up the sleeves of blouses and sweaters
o   Have to write with a black pen, not blue
o   Pick at my eyebrows
o   Wear lipstick/gloss at ALL times … even to bed
o   Half sing songs and hum parts when don’t know the words, driving my daughter CRAZY!!
o   Must have coffee, ear plugs, lipstick, Kleenex, mirror, notebook, emory board when writing
o   Hoard Christmas bows
o   Keep one foot out of bed at night when hot
o   Tent my knees when sleeping
o   Save plastic bags, twisty ties and bows
o   Kick my legs when sitting
o   Twist the paper covers that straw come in
o   Doodle flowers and faces when on phone
o   Eat only soft or soggy fries
o   Must have four ketchup, salt & pepper, two creamers, knife and one strawberry jelly with my Egg McMuffin meals

2.)   Think about Characteristics of Family Members. My Dad was a bit quirky in that although he was an eye surgeon of considerable repute and skill, he would do things like throw string over the telephone wire outside his bedroom window to see which way the wind was blowing! Also, my mom used to glaze her tongue across her teeth when she was nervous, so I gave that same trait to Marcy O’Connor in my O’Connor family series. My hubby went through a phase where he loved Snickers, so I gave Sean O’Connor an obsession with Snickers bars.

3.)   Think about Characteristics of Friends, Classmates, Coworkers. A friend of mine used to wrinkle her nose like a rabbit out of nervous habit and another dear friend loved Dr. Pepper so much, she chose “Dr. Pepper Girl” as her e-mail addy. As a result, my heroine in my next book, A Love Surrendered, also has an addiction to Dr. Pepper and her friend calls her, "Dr. Pepper Girl."

4.)   Think about Opposites. In book 2 of the “Heart of San Francisco” series, my alpha-male hero is a fearless and armed rough-and-tumble Italian police detective who, like Leroy Jethro Gibbs of NCIS, is not afraid of anybody or anything. You know the type—rock jaw, perennial shadow of beard and gruff manner? Well, our hero is railroaded into providing protection for the heroine whom he perceives as a spoiled socialite, forced to escort her home everyday on a cable car. The quirk I gave him? He has a fear of throwing up (I actually had a friend with this quirk, believe it or not) and unfortunately cable cars turn my hero green and sick to his stomach, which I hope will provide moments of humor as well as humanize our grouchy cop.

5.)   Character Trait Chart and Personality Components. WOW, I found this fun website called Inspiration for Writers, Inc., of which an author friend of mine, Sandi Rog, is a part. They offer a GREAT Personality Components Chart here for free that can help you brainstorm quirks and character traits. For example, I took two of the words in the Personality Components Chart—“aloof” and “meticulous” and immediately came up with quirks of two people I know. One of them absolutely HATES to be hugged (aloof), which if you know me at all, is a real challenge to NOT hug her when I see her! The other friend is insanely organized, color coding everything with markers and lists (meticulous), so this chart really helps shake loose the ideas for character quirks. Here’s the link for a free Character Trait Chart AND Personality Components Chart, plus you can request free copies of their writer’s worksheets as well, so check it out!


Finally, here’s the list of quirks I came up, some of which you may just see in my future books, so beware!! And anyone who leaves a comment today or mentions new quirks to be added will be entered to win a signed copy of any of my books including ANY future books. So let’s get “quirky and remember … quirky characters need love too!

LIST OF QUIRKS:


Accent
Adjusts eyeglasses, tie, belt, skirt
Allergic to something
Always cold
Always hot
Athletic
Bad with names; gets names mixed up
Baseball cap
Bellows
Bites lip
Bites nails
Bossy
Bristles
Butchers words
Can't stand the sight of blood
Can’t smell
Chews on a pen
Chews sunflower seeds
Chrews gum
Clears Throat
Clucks tongue
Color blind
Constantly plays with a ball
Corrects people
Cracks knuckles
Debates all issues
Doodles
Drama queen
Dramatic/Interesting scar on (face/part of body)
Unusual mole or birth mark (shaped like....)
Excessively grooms self
Drinks too much coffee (in honor of Gibbs)
Drops clothes on floor
Early riser
Feet on desk
Fidgets
Finishes people’s sentences
Flips a coin
Grates lip
Grinds jaw
Gruff/Curt
Grumbles
Grunts
Gut feelings
Habitually late
Hands in pockets
Hates ice in drinks
Hates to lose
Hoarse/gravelly voice from smoking, shouting, Chews on hair
Honest to a fault
Hums
Hunt-and-peck typist
Impeccable dresser
Interrupts
Intuitive
Issues dares
Klutzy
Lisp on certain words
Loosened tie
Loves animals/kids
Lucky item
Makes bets on everything
Monosyllables
Mooch
Mutters
Neat freak
No fashion sense
O.C.D.
Pack rat
Pencil over ear
Perfectionist
Pet phrase or word
Phobic/Paranoid
Picks nails
Picks up strays
Pinches bridge of nose
Plays Solitaire
Plays with lobe of ear
Poor handwriting
Poor sense of direction
Pops peanuts
Practical joker
Punctual
Purses lips
Quotes movies/books
Rattles change in pocket
Rolls eyes
Rubs chin,
Rubs temples
Rumpled shirt
Runs hands through his hair
Sarcastic
Scares people
Seven-mile-stare
Shuffles when walks
Sniffs,
Speaks in rhymes
Squints
Stone-faced
Stutter
Superstitious
Sweats
Talk about self in third person
Talks softly
Talks to him/herself
Tic in jaw/cheek/temple when angry
Tidies up wherever
Toothpick
Twirls hair,
Vain
Whistles out of tune or same lines over and over
Winks
Won’t eat anything green
Won’t eat vegetables