Showing posts with label romance. Show all posts
Showing posts with label romance. Show all posts

Thursday, May 11, 2017

Taming the Wild West of Westerns... But Not Too Much!

I am going full-out Western on youse today due to one 
VERY GOOD EXCELLENT REASON:



Him.

The long-awaited release of "Peace in the Valley", Trey's story, was one week ago... and I'm so thrilled to have this beautiful story in readers' hands at long last!  Kudos to Kelly Howard of Waterbrook/Multnomah for the amazing covers on these books, and huge thanks to Shannon Marchese and Brandy Bruce for the editorial help on this one.

I love this story. I love Westerns. I grew up loving Westerns on TV, and I don't think I'd ever read one... but when Love Inspired invited me to be in on a Western continuity, I was hooked.... Head over heels. In love with a new sub-genre of romance: Western Inspirational Romance... With a splash of Women's Fiction on the side because I love bringing spunky, gutsy heroines on board for these books. I LOVE GUTSY, IN-YOUR-FACE HEROINES.

If we delve into that too deeply, it could possibly reveal way too much about the snarky author. But there you have it... and if you think that today's West isn't fraught with danger, take a look at "The Last American Cowboy" on Netflix, and you'll see some pretty gritty stuff... then throw in cougars, wolves, hills, mountains, family drama, drugs, alcohol, economic down times, political strife and federal land controls... Along with some firearms!..... And you've pretty much got the Old West,  prettied up enough to have an Interstate system for faster getaways!

Cowboy code is the basis for my Westerns, even the ones that have sheriffs or teachers (the upcoming "After the Storm" series), Manhattan investors and country crooners... (Trey's story, think a cross between Blake Shelton and Dierks Bentley)...

But the "cowboy code" is clutch in the Western. We see it when Trey teaches a six-year-old boy the rules of the game, we see a true cowboy is strong enough to be gentle... as Trey advises Cody to be nice to his little sister and let her take the first cookie. From "Peace in the Valley":


“The polite thing to do would be to offer yours to her, or let her go first. Cowboy up, kid."

“You think I could be a cowboy?” The kid’s eyes rounded like saucers. He eyed Trey’s hat. “Like, for real?”

“Why not?”

“Well, I don’t have a horse.” Cody waited until Belle had selected a cookie, then closed the bin. “Or a hat or a saddle or anything.”

Trey stooped low. “Bein’ a cowboy isn’t about what you’re wearin’ or ridin’, my friend.”

“It’s not?” Cody stared at him, puzzled.

“No sir.” Trey shook his head and kept his face serious. “It’s about what’s up here.” He tapped the side of his head. “And here.” He clapped his hand over his heart. “The rest is just window dressin’, but a true cowboy comes from inside you, in everything you say and do. Being strong, but being nice. Giving directions, but following directions too.”

“Like cooperating?” Cody asked. “We learned about that in school.”

“Exactly like that.”

“But then do I get a hat, maybe?” He eyed Trey’s hat and the broad Western display in Ham’s front window. “So everyone will know I’m bein’ a cowboy?

“Maybe then.”

“I didn’t know.” The kid glanced around as if he’d just discovered an ultimate truism.

“And now you do."

Trey was taught the good and the bad by one of the toughest cowboys in the PNW... his father, Sam Stafford. But Trey doesn't see the gruff, egotistical, self-centered man who made more enemies than friends over three decades of ranching after losing his first wife in a tragic accident... he sees the man who saved him from a life of squalor.... the big, broad, Stetson-wearing cowboy who swept up a little boy, wet pants and all... and made him his own.

Cowboy code is balancing the good with the bad, but making sure the good wins. Cowboy code is doing the James Garner twinkle-in-the-eye while knowing you've got the fastest gun in the west at your side. Cowboy code is sacrificial love because the horse or the cow or the calf or the kid comes first... and then the cowboy worries about his comfort.

Cowboy code sets the rancher and men of the west apart. It creates an ambiance that transcends the world of technology, while embracing what technology can do.


"Strong enough to be gentle".... 

Have I mentioned that all three books are available at Walmarts and grocery stores nationwide, anywhere you can find Love Inspired books or mass market paperback displays... Like almost EVERYWHERE!!! But if you can't find them, here's an Amazon link for each, because yes... I want you to buy them, and read them, and love them.

Why else would I write them? Oh, you sillies! :)

Back in the Saddle (Amazon)

Home on the Range (Amazon)

Peace in the Valley (Amazon) 

Cowboy code shows the honor within... and the struggle that goes alongside the honor. It highlights the humor and downplays the pain... but never pretends the pain isn't there. It's just managed.

The old-fashioned pioneer spirit and mindset still thrives through a lot of the West and Midwest... there are some who would water it down, some who raise eyebrows at it, and some who will never understand it...

But for those who value the hard work, honor and valor it takes to work the land, handle animals, (as big as a Clydesdale, as small as a newborn baby goat), patch plumbing and run electric... tape wounds and kiss boo-boos.... You'll understand that Western attraction and the men who feed it.


Heroes who are always strong enough to be gentle... As needed.

Hey, for your upcoming travels, I have an AUDIBLE copy of Back in the Saddle for one lucky commenter! I am over the moon excited that they've brought the books out in audible, huge thanks to Waterbrook and Penguin/Random House! 


Come on inside, grab a cuppa or a glass of sweet tea and tell me what you like... or don't like... about westerns. And  you can be sure if you vote the "don't like" side... I'm still gonna be downright nice to ya'. Because that's how we roll here. :)



Multi-published, award-winning and bestselling inspirational author Ruthy Logan Herne is living her dream of writing great stories with unforgettable characters that leave folks wanting more.... and when she's done making jam and tending babies and building chicken coops, she gives her readers exactly that! A woman who isn't afraid to take research to extremes (including table saws and nail guns!) Ruthy lives on a small farm in Western New York where the change of seasons and constant stream of folks in and out of her doors feeds her writing fancy of "What if...?"  Friend her on facebook, follow her on Twitter, visit her website ruthloganherne.com ... or come see her making delicious food today at the Yankee Belle Cafe! She'll dish you up a plate of Ruthy's finest old fashioned coconut custard pie... made just for you!  

Tuesday, February 12, 2013

Things That Make You Go Awwwwwww


The Seekers and the Digital First authors are talking about warm fuzzies. Warm fuzzies happen all year long, not just on Valentine’s Day. Warm fuzzies can be from your spouse, your kids, your mom, or your pet. Warm fuzzies are anything that make you go awwwwwww, how sweet.

I guarantee some of these tidbits will make you smile.


“We lived an hour away from each other. I lived in the country, he was in the city. On my birthday before he went to work he picked up my then favorite hamburgers and brought them to me. He had just enough time to hand them over and jump back in the truck and return to Illinois.” Diana Brandmeyer

"Once when Iran and I were dating, I remember riding down the road and he was making up silly songs about me. The rhyming was actually pretty good, and I remember laughing and trying to get him to stop because I was afraid he'd actually remember and repeat the words to someone else. I didn't know him well enough to know that he'd never repeat silly love songs to others." Pam Hillman

“We were in a night class together and one night he asked me if I wanted to go for coffee after class. Sure. Good looking hunk. Of course. We get to the coffee shop and he starts apologizing for having to cancel the date last Friday. Well we had no date. He had asked another girl out and forgot who she was. He thought it was me. Big mistake. We laughed and really had a fun time talking. Well we've been together 47 years so I keep telling him that was the best mistake he ever made. He agrees.” Sandra Leesmith

“When my son said he wanted me for his mom--in front of a judge.” Diana Brandmeyer

“One year My Cowboy showed up on Valentine's Day when we had three really little girls, and he had three roses in a vase for me, then he had a separate rose for each girl. The next year he came with a cut flower arrangement for me and three tiny arrangements one for each of the girls.” Mary Connealy

Julie's prized wall grouping from Keith
“The love of my life is both artist and handyman, so after he built a truly beautiful media room, we decorated it with a leather sectional couch and modern multi-colored pillows.  Would you believe he took a picture of one of those pillows and designed three different versions in the same colors, then superimposed them on canvas frames as a wall grouping? “It’s beautiful, babe,” I said, amazed once again at his mind-boggling creativity. “Look closer,” he said, and I squinted a bit, suddenly seeing our entire life before my eyes. Yes, you guessed it—this incredible man actually super-imposed pictures of each of us—me, my son, daughter, daughter-in-law and himself—over the multicolored canvases to create living artwork that captured US!! Let me tell you—I teared up on the spot and threw myself into his arms, giving him the biggest, most grateful kiss I could! What can I say—MasterCard has nothing on him—he’s “priceless.” Julie Lessman

“He kidnapped me! He and my best friend's husband made plans for a night away for us. Babysitting, packed suitcase, and even home made lasagna --all planned! My friend and I didn't have to do anything. We walked down a moonlit path and talked for hours.” Diana Brandmeyer

"We used to ride horses a lot. We'd ride to my parents four miles away and visit for awhile, then ride home late at night. I can still remember the still night, the stars, the sound of horse's hooves clopping down a quiet dirt road, and just the two of us, talking about nothing and everything." Pam Hillman

“Seeing all of my sons wearing tuxes 3 times!” Diana Brandmeyer

"When our first child was born, we were in the hospital, and I remember laying in that hospital bed watching my larger-than-life husband slouched on a hospital sofa teasing our newborn baby's face with the edge of the baby blanket just to watch him screw up his mouth when it tickled." Pam Hillman

Diana Brandmeyer's stain glass doors
“Our first Christmas together was bittersweet. I was still feeling sad about moving from my old home, an 1800s limestone block house. That house had a lot of outbuildings and one of them had stain glass windows waiting for a project I never got to do. Christmas morning my gift from my husband was those windows made into doors for what is now my office.” Diana Brandmeyer

“The last thing we tell each other each night is ‘I love you.’” Audra Harders


“Ed used to bicycle to work past the Japanese flower gardens. Well one afternoon he was really thirsty so stopped and asked the lady if he could get a drink. She talked him into buying some flowers for me. When he got home and gave me the flowers, I was so tickled, thrilled and let's just say he was well rewarded for his gift and that was the start of a beautiful thing. He discovered how much that simple gift meant to me and he stopped every Friday until he retired to buy me flowers. He and the lady became quite good friends and she always had a bouquet picked out for him. And I always looked forward to my lovely bouquet of flowers.” Sandra Leesmith


“Even though Gary and I had known each other since 4th grade, we never dated until we were 30! Our very first "date", he invited me over to his place after church to talk and catch up on life. It was Super Bowl Sunday and I just knew I was going to have to compete with the game for conversation. I got there at 1:00 and left around 8:00. We talked, laughed, snacked, and laughed some more. He never turned the television on. It was the best and most memorable afternoon of my life.” Audra Harders

“When my husband brings me soda just because…” Diana Brandmeyer

“Our first Christmas together, he gave me Sorel boots so my feet wouldn't freeze when we went hunting. The following year on my birthday, he gave me a fishing pole and reel because I wouldn't enjoy spring fishing without good equipment. Some folks might think these selfish, male gifts, but I know better. It was Gary sharing a piece of his heart and life with me.” Audra Harders

Yeehaw - Lathan riding his first bull!!!
"I was on a business trip three years ago and received a text from my sister-in-law. Attached was a photo of my husband sitting on the ground and his four-month-old great-nephew petting a baby calf. It's been my background picture on my phone ever since!" Pam Hillman

So, everybody together now…. 

Awwwwwwww


~

Have you heard the News????

All three of the Digital First ebooks are 
ON SALE for $1.99 February 
THIS WEEK ONLY!


Click here for links to your favorite etailer


Claiming Mariah by Pam Hillman
Mind of Her Own by Diana Lesire Brandmeyer
Where Treasure Hides by Johnnie Alexander Donley


Mark your calendar, put a string on your finger,
tattoo your forehead, but whatever you do,
don’t let this opportunity slip by.
The #Digital1st authors are counting on you!

To celebrate the release of Claiming Mariah, Pam is giving away two eReaders
(choice of Kindle Wi-Fi, 6" Display, or Nook Simple Touch)
Two Winners: One on facebook. One through Pam’s Newsletter.

Registering both places is not required but will double your chances of winning. Also keep in mind that you will receive updates more often being connected on facebook than through the newsletter. Just sayin’

Contest runs from January 1st until March 31st, 2013.

And....that’s not all! There will be prizes offered randomly throughout the tour.

(1 Year Subscription to E-cards by Jacquie Lawson)

PREVIOUS STOP ON TOUR:
February 11th: Blogging with Sandy Ardoin

NEXT STOP ON TOUR:
February 13th: Blogging with Angie Breidenbach



Thursday, November 1, 2012

How to Heighten the Romance in Your Romance Novel


Hi everyone, Audra here. How about that Seekerville birthday month? We had a great time, didn't we? Coffee, cake and all sorts of goodies, compliments of Yankee-Belle Cafe. Watch out Starbucks, you've got competition! Okay back to today's post. Y'all know our guest for today (hee, my Southern is peeking through), she's been sprinkling fairytale dust over us and keeping us sighing over the tales of the Medieval kingdom for quite a while now. Today, Melanie Dickerson has romance in store for us. Isn't this a great way to usher in November??
Thanks so much, Audra, for inviting me to be here! I love Seekerville and all the Seekers and Seeker friends. What a birthday bash you guys had here this past month! Thanks for letting us all celebrate with you, and for giving US the gifts. But we can keep celebrating, since they don’t announce the last of the winners until Saturday!

On that note, let’s discuss how to heighten the romance in our romance novels.

I don’t know about you, but I want to make my readers sigh with happiness and satisfaction at the end of my romance novels. Have you ever gotten to the end of a romance novel and said, “Where was the romance? When did they fall in love? Because I think I missed it.”

This is not what I want. For me, it’s all about the romance. I want my reader to get to the end and say, “That was the most romantic story I’ve ever read.”

So, let’s talk about what romance is—and what it isn’t. Romance is not sex, and romance is not kissing. (Sorry, Julie!) I love Julie Lessman’s kissing scenes. They are very romantic, but as much as I love her Kissology courses, I think the reason her kissing scenes are romantic is because of the situation Julie has put the characters in, the prelude to the kiss, and not so much the kiss itself. Kissing is physical, but romance is emotional. The reader feels something because of the emotional factor in the kissing scene, because of the way Julie has set it up and brought her characters to that point.

And what is the goal of any novel? To make the reader feel something.

The two novels that I think are the most romantic and most satisfying of all time are Pride and Prejudice by Jane Austen, which does not have a single kiss or kissing scene in the entire book, and Jane Eyre by Charlotte Bronte, which does have a few kisses, but they aren’t described in any detail. What makes these novels so romantic?

I believe what makes them so romantic are: 1) The situations that the characters find themselves in, or the premise of the novel, 2) The heroic and yet realistic ways they act in these situations, sacrificing for the person they love and overcoming great obstacles to get to their happily-ever-after, and 3) Having these actions reflect their character, their past, and their feelings for each other.

The romance battle is two-thirds won if you have a premise that has great potential for romance. In other words, you should come up with a premise, or story situation, that lends itself well to including the three things listed above. And you will need to make sure you put the hero and heroine into a situation where they’ll be forced to interact with each other often.

Which brings me to three mistakes we must avoid. 1) Not letting the characters interact enough, 2) Letting them move too fast instead of letting the romantic tension build, and 3) So many terrible things happening, or so many subplots, or too much of anything else, that it overshadows the romance.

I hope you don’t mind if I use my book, The Fairest Beauty, to be released in December, as an example of a romantic premise. The basic premise is that the hero, Gabe, wants to prove himself by rescuing his older brother’s betrothed, Sophie, from her evil stepmother. His brother has always overshadowed him with his overachieving, so this is his chance. The heroine has always longed for belonging and a happy family. So she is excited at the thought of being betrothed, even if it is to someone she doesn’t even know. So when she and the hero make their escape from her murderous stepmother, they find themselves on a trek across country, being pursued, with no one to rely on but each other.

So here I have the hero and heroine in close proximity, forced to interact, and also in a situation where they “can’t” fall in love. Lots of potential for conflict and romance. And conflict is essential to a romance story, because you have character arcs, but you also have a romance arc, a progression of the romance. Conflict is what keeps the romance from going from 0 to 60 in the first three chapters.

Another example … in The Merchant’s Daughter, Lord Ranulf has been scarred inside and out by life, and especially by women. At first we see him as a gruff, angry, harsh person. But as we get to know him, we realize that he is actually very gentle and sensitive. Annabel, his new servant, is the most educated person in the entire village, and also the kindest and gentlest. He is drawn to her, but believes a romance with her is hopeless. At the same time, romance is the farthest thing from Annabel’s mind. Lord Ranulf truly has no hope in winning her if he was to pursue her—he would only push her away.

So in this situation, you have lots of conflict—a lot of inner conflict but also outer conflict, which I haven’t mentioned—and conflict is completely necessary in any novel, including a romance novel. There must be obstacles to overcome or there’s no satisfaction in the happy ending.

However, there is a danger for romance novelists in thrusting in tons of conflict but leaving out the romance.

Everybody preaches conflict, right? You’ve heard, “Think of the worst thing that could possibly happen and make it happen.” That’s good for a thriller or a speculative novel or a family drama, but not a romance. Don’t get me wrong; you must put obstacles in the way of love. Something must come between the hero and heroine that seems almost insurmountable. But for a romance novel, you have to put extra thought into your conflict and not beat your characters up TOO much, because you don’t want the conflict to overpower the romance and keep them too far apart. After all, they need to fall in love. If you have one devastating catastrophe after another, and they’re constantly dealing with those, they don’t get a chance to interact romantically.

You’ve all heard that plotting is just asking the question, What if? Well, creating wonderfully romantic situations and scenes involves asking certain questions too, basically all of them variations of, “What would be the most romantic thing that could happen in this situation?”

In The Merchant’s Daughter, I’ve set up this difficult situation that I explained earlier, but I’ve also come up with a way to get the hero and heroine together and make sure they interact quite often. She is his servant, she is the only servant who knows how to read, and he wants someone to read to him every night. This is what throws them together, the trapped-on-a-deserted-island scenario that forces them to interact frequently. But how to make it more romantic? That is the question I asked myself.

I will have the gruff, scarred hero who is sure he’ll never fall in love, irresistibly drawn to the sweet-and-innocent heroine. Since he loves her but believes she will never love him, I will force him to have to save her, more than once, from a lecherous bad guy. This will make Annabel grateful to the hero, Lord Ranulf, and attach him to her even more. She has no interest at all in romance, but I will make her see, quite clearly over time, just how good and kind this man is. The reader already sees that the two of them couldn’t be more perfectly suited for each other, but I have to bring my heroine to that point gradually, culminating in a dramatic realization at the end. In the meantime, I keep asking myself, “What is the most romantic thing that could happen now?” How will he break down her fears? How can I make it harder for him to stop loving her? How can I have her, gradually, cause him to open his hard heart until it breaks with love for her? Most romantic thing that can happen: He will be forced to sacrifice everything, possibly even his life, for her, all the while believing she couldn’t ever love him. And then, at the very end of the book, I will cause her to be willing to give up her greatest desire, her life’s goal, for him. And as an added twist, at the end SHE will rescue HIM.

Sacrifice.

Rescue.

Plot twists.

Dramatic realizations.

These four devices are common in all genres of fiction, but as a romance writer, you can—and should—use these to heighten the romance in your story.

And you must make all those things happen feasibly and believably, building on the characters’ own goals and motivations, traits, fears, and events from their past.

Here’s another example. In The Healer’s Apprentice, the hero and heroine can’t be together because he, Lord Hamlin, is betrothed to someone else. What makes this obstacle doubly insurmountable is that the thing Lord Hamlin values most is duty and honor. He will never do anything to violate his sense of honor, which tells him he must marry his betrothed, Lady Salomea. I have the character’s own characteristics interacting naturally with the situation. There is built-in conflict, there are also other conflicts that come into play, but at various points in the story, I asked myself, “What is the most satisfying thing that could happen now?” And I think that led me to a lot of very romantic scenes in the story.

I already knew how I wanted to end the story. I had already asked myself “What would be the most satisfying ending to this story?” and I had that scene burned into my brain. So at every point of the story I asked myself, “What is the most satisfying thing that could happen now?” but I also had to be aware of how it would affect the rest of the story, especially the ending, and I had to be careful of two things:

1) I couldn’t sabotage my ending or any key plot points I already had in mind to get the characters to this “perfect” happily ever after, and

2) I couldn’t violate my characters’ personalities or make them do things they would never do, based on their character traits. In other words, it has to be plausible.

Two things I came up with after asking myself “What would be the most satisfying thing that could happen?” were 1) The hero would be willing to let the heroine marry his brother if he thought his brother would love her and protect her, as love and protection were two things she needed. And 2) The hero would decide to give up his right to rule and allow himself to appear dishonorable—the worst thing that he could imagine happening to him—in order to marry his true love, Rose.

Of course, his plan didn’t succeed, but it was important—and romantic—for him to show that he was willing to give up everything for her.

Sacrifice. A device you should use for extra power—and extra romance.

And this works best when the characters’ own traits, values, and their pasts come into play, which adds power and believability. Don’t be afraid to draw on your characters, every part of them, to heighten the tension, the conflict, and the romance.

Something that I touched on earlier: Make your hero and heroine perfect for each other. No other person will do, for either one of them.

In Pride and Prejudice, one of the things that makes it so romantic is how Jane Austen shows how perfect Mr. Darcy and Elizabeth Bennet are for each other. He is the perfect match for Lizzie’s wit and sense of humor. Contrast him with her other suitors: Where Mr. Collins is awkward and ridiculous, Darcy is dignified and polished. Where Wickham is unscrupulous and dissipate, Darcy is utterly scrupulous and honorable. And even Mr. Bingley, whom we love, is indiscriminate in his friendliness and warmth, while Darcy is wise and reserved. Bingley is perfect for Lizzie’s sister, while Darcy’s only match is Lizzie.

But that isn’t the only thing that makes the story romantic. The best part is how Lizzie, both justly and unjustly, accuses Darcy of some really ugly things—just when he has opened his heart to her and asked her to marry him! His pride is deeply wounded. How will their romance ever have a chance now? But in the end, they are both humbled, they both grow up, as it were (the character arc), and Darcy does something heroic, made more heroic because it violates his proud nature. The heroic act goes against all his sensitivities, and he does it just for Lizzie. Romantic! If Jane Austen had asked herself, “What would be the most romantic thing Darcy could do for Lizzie?” she couldn’t have come up with anything better. I like to think that’s exactly what she asked herself!

What about you? What is the most romantic thing you can think of right now for your characters to do in the novel you’re currently working on?

Please leave a comment to win a copy of your choice of my novels, The Healer’s Apprentice, The Merchant’s Daughter, or The Fairest Beauty, which comes out in December, and which you can pre-order now! I will pick three winners.

Blurb for The Fairest Beauty
Pre-order now available

Sophie has long wished to get away from her stepmother’s jealous anger, and begins planning her escape. Then a young man named Gabe arrives from Hagenheim Castle, claiming she is betrothed to his older brother. This could be her chance at freedom and happiness—but can she trust him?

Gabe defied his parents Rose and Wilhelm by going to find Sophie, and now he believes they had a right to worry: he is having feelings for the orphan girl, his brother’s betrothed. Though romance is impossible—she is his brother’s future wife, and Gabe himself is betrothed to someone else—he vows he will keep her safe, no matter what.

Melanie Dickerson is a two-time Christy Award finalist, and her second YA novel, The Merchant’s Daughter, recently won the ACFW Carol Award. She is a graduate of The University Alabama and has taught special education at nearly every grade level, elementary to high school, and taught conversational English to college professors in Ukraine. She now lives near Huntsville, Alabama, with her husband and two daughters. Please visit her on her website, www.MelanieDickerson.com and friend her on facebook, https://www.facebook.com/melanie.dickerson.author and “Like” her facebook author page, https://www.facebook.com/MelanieDickersonBooks. Follow her on Twitter as melanieauthor and she promises to follow you back!

Thanks for sharing your romantic ideas with us, Melanie. There's nothing better than a great fairytale, and no one writes them better than you. By the way, all your covers are gorgeous!

Monday, April 23, 2012

Will You Marry Me?


Ah, the question girls dream of hearing.

You'd think marriage proposals would be cut and dried, wouldn't you?

A couple dates for a while, and they both know they're serious about each other, and then one day, when she least expects it, he drops down on one knee and proposes. She says yes, absolutely adores the gorgeous ring he picked out for her (completely on his own without any input or consideration for her likes or dislikes because her knows her that well), they get married in a stunning ceremony and live happily ever after.

I mean, that's the way it always seemed to happen in the movies when I was a kid.

Right?

Of course!

Now that I’m older and wiser, and have two sons of my own, one who recently proposed to his sweet and beautiful girlfriend (she said YES, btw!), I have come to a stunning conclusion:

Guys have it tough when it comes to proposing.

First of all, they're taking a big risk. What if the girl says no? Yikes! Even if he can get past that hurdle, he's got to decide where to propose, when, how, whether he should buy a ring of his own choosing, or should he "let the ring out of the bag" and the two them go window shopping together.

The good news is that there is no formula for marriage proposals. Anything goes, and when a couple is madly in love, I suspect the proposal is perfect, even if it happens in a pigsty.

Well, maybe not….

With this in mind, I asked the Seekers to share some of their own proposals and some from their books.

Here's what Audra Harders had to say about her proposal from Gary. "Gary and I met in 4th grade Sunday School. His dad was teaching. I really loved Mr. Harders; his son was a jerk. Gary and I never went to the same schools, but we seemed to go to the same parties in high school. He was your basic irritant.

We finally went out on a real date together when we were thirty. Three months later we were watching Beverly Hills Cop II at his place and he just announced during one of the shoot'em up scenes "I want to marry you."

I said, "okay"

We were married 6 months later.

His friends still can't believe I said yes :)"

Maybe they can't believe it, Audra, but the Seekers know the real score! He's a keeper!


Missy Tippens shares her storybook marriage proposal: “My hubby proposed to me in the exact spot we first met on the one-year anniversary of our first date. He'd said all along that he didn't want to get married until he graduated from seminary. But when I opened the ring box, he had a note with it that said: Will you...THIS summer? (He still had a year left of seminary.) So we married 5 months later!”

Now, isn’t that sweet? Makes me smile from the sheer romance of it!


Julie Lessman’s proposal is classic Julie. I shouldn’t even tell you whose proposal this is. You could probably guess just from the way she tells us about it! lol

Julie says, “When Keith and I were dating, we went to see the brand-new house of a newlywed friend. I was 27 and Keith was 24 and we’d only been seeing each other nine months. I was SO despondent when we went back to my apartment, thinking a marriage and a house would never happen for me, that I turned on him like a banshee.

“Just what exactly are your intentions?” I remember saying, arms folded and chin in the air. “I mean I’m 27 now, going on 28 and if you’re not serious here, I can’t be awaiting around for some young guy to grow up and get a clue, so if you’re not interested, then there’s the door.”

I still remember him staring at me like I’d lost my mind (only the first of many such looks, I assure you), blinking in near-shock, jaw agape and brows in a pinch. “Well, babe, I was going to wait till we’d been dating a year to ask you to marry me, but since you’re in an all-fire hurry, I guess I’ll just do it right now. Will you marry me?” he asked.

I remember freezing on the spot, the question dangling in the air just like my mouth. Wait a minute, I thought, do I want to marry this guy?? I was a hard-core realist who would not allow myself to daydream or even imagine what marriage to Keith would be like until the situation was a reality. “Uh, I don’t know,” I said, “can I have two weeks to think about it?”

I still can’t believe the poor guy didn’t tuck tail and run."

We love our Julie, and Keith does too! I found it quite funny that Julie gave him an ultimatum, then asked for two weeks to think about it. lol


Now we move on to Mary. You know, Mary and Julie remind me of good cop/bad cop, Laurel and Hardy, and George and Gracie routines. While Julie’s story gushes out of her like fireworks shooting off, Mary tells us hers in such a droll monotone that we just know there was a lot more to it than she lets on.

Mary gets all misty-eyed as she reminisces: "My real-life proposal was very low key. We went shopping for the ring together and bought the cheapest one in the jewelry store.

I said, "I want to be asked."

He asked.

I said yes. We were sitting in his car in my parent's driveway.

I said, "Do you want to ask my dad for my hand in marriage?"

He said, "Nah, Jack'll let me marry you."

That's all I remember. Two month engagement. Engaged at Thanksgiving. Graduated from college and moved home to mom and dad's mid-December. Wedding in January."

Why do I find this funny? I don’t know. Maybe because everything Mary writes is funny to me. Go figure.


Oh, and before we go any further, some of the women I surveyed couldn’t remember an actual proposal, just that they had dated for several years, and it was just understood that they would marry, and they did.

But in the interest of saving happy marriages, the anonymous women who couldn’t remember a real bona fide proposal decided not to ask their spouses about the long-forgotten possibly non-existent proposal.

Better to leave well enough alone.


You know, as much as I enjoyed reading about some of the Seekers real proposals, hearing about it second-hand is just not the same as reading a juicy detailed account of an awesome marriage proposal in a book, is it?

Well, we’ve got that too.

The following excerpts are from books by Seekers Julie Lessman, Myra Johnson, Mary Connealy, Debby Guisti, and Pam Hillman. As you can see, there is no right way or wrong way to propose: in fiction or in real life.


This is Mitch’s proposal to Charity in A Passion Redeemed (Julie Lessman) after she leads him to believe she’s pregnant after being attacked in a park.

His head rested on the back of the chair, forcing that formidable chin to jut in the air, and his broad chest rose and fell with every groan issued forth. She reached to wake him, and her fingers stilled on his arm. She swallowed hard. Even in sleep, his biceps were taut and firm. She released a quiet sigh. He was truly a beautiful man. The snoring continued, so she allowed her fingers to trail …

In one shocked breath, he jolted awake. “What are you doing?” he whispered.

Heat stung her cheeks. She quickly glanced out the porthole to deflect her embarrassment. “Nothing. I just turned to look out the window. Goodness, would you look how dark it is! It must be nigh past dinnertime.”

“Uh-huh.” He stood and stretched his limbs with a dubious smile. “It sure felt like a caress to me,” he said with a yawn, then paused long enough to reveal the flicker of a smile at the corners of his mouth. He fixed her with a penetrating gaze and angled a brow. “Was it?”

She was glad it was getting dark—her face was on fire. She looked away, taking great care to adjust the blanket and avoid his eyes. “Don’t be silly, Mitch, you’re imagining things. I didn’t even touch your arm—”

He squatted and took her chin firmly in hand, forcing her to look him in the eye. “Don’t, Charity. Don’t start our marriage out with a lie. No more lies. Just truth. Do you understand?”

The air thinned in her throat. “Our … marriage?”

His eyes searched hers for a brief moment, then strayed to her lips. “If you say yes.”

“M-marry you?” Her heart stopped, then commenced thudding in her chest.

His eyes locked on hers as he slowly brought her hand to his mouth and kissed it. He eased from his squatting position to his knees. “That’s not an answer,” he whispered. He pressed his lips to her palm, causing warmth to fan through her. “Will you marry me?”

She swallowed hard, guilt colliding with joy. “Oh, Mitch … are you … are you sure?”

A crooked smile tilted his mouth. “Still not an answer.”

She sucked in a deep breath. Guilt won out. “But why? Why would you do this?”

His smile faded as he slowly rose to his feet. He released a weighty breath and threaded his fingers through his hair. “Because I’m not going to let you go through this alone.”

She chewed on her thumbnail and glanced up. “Is … is that all?”

He studied her through narrow lids. “No, that’s not all. We’re good friends.”

“Oh.” She tilted her head and gave him a shy look, allowing for a slow sweep of lashes. “Only friends? Nothing more?”

He laughed and turned to grab a fresh dress from her suitcase. He threw it at her, heating her with a wicked grin. “Yeah, there’s more. Because you’re nothing but trouble, little girl, and somebody’s got to take care of you. Here, put this on. That one looks like you slept in it.” He started for the door.

“But wait … I mean, do you …”

He paused, not bothering to turn around. “Do I love you?”

Her heart constricted. “Yes,” she whispered. “Do you?”

His shoulders slumped a fraction of an inch, and she saw his head dip, as if deep in thought. It seemed an eternity as she waited, daring not to breathe lest she miss his reply.

His back finally heaved with a quiet sigh. “God help me, I do,” he whispered.

The relief rushed from her lungs and she closed her eyes. Thank you, God.

He opened his cabin door. “Get dressed. I’ll be back in fifteen minutes.”

“Mitch?”

He turned, hands slung low on his hips. “Yeah?”

She scrunched her nose. “I’ll marry you, I guess.”

He grinned. “Thanks.”

“You’re welcome.”



The following proposal with a twist is from Autumn Rains by Myra Johnson. Valerie has just told Healy she is unable to have children of her own after the tragic accident when her first husband was killed.

He knelt at her feet and enveloped her in his strong arms while she gave in to her grief all over again. When her tears subsided, he pressed her hands between his own. “My precious Valerie,” he said, his eyes filled with tenderness, “if you thought telling me this would change my feelings for you. . .”

She sucked in her breath, both anxious and terrified to hear his next words.

Healy’s voice grew husky. “At this moment my feelings for you are deeper and stronger than they’ve ever been. You are the bravest, most loving woman I have ever known or ever hope to know.”

“Oh, Healy, I’m sorry, I’m so sorry.” She pressed her face against the collar of his soft flannel shirt and twined her fingers through his hair.

“You have nothing to be sorry for.” He drew her once again into his sheltering embrace. Then his body stiffened, and his tone became tentative as he added, “Unless this is your way of saying you want me out of your life.”

She pushed him to arm’s length but kept her hands locked around his neck. “That’s the last thing I’d ever say to you, Healy Ferguson.” Her chest ached, her heart pulsed. “Healy, if you’ll have me, I want to spend the rest of my life showing you how much I love you. I want to be your wife.”

Healy recoiled as if she had punched him in the belly. He sputtered, fumbled for words, raked a trembling hand through his hair. “Hey, I know I missed out on a lot while I was in the slammer, but I thought the guy still did the proposing. Anyway,” he added with a chuckle and a downward glance, “I’m the one on my knees here.”

Valerie looked at him with puzzled amusement. “In case you haven’t noticed, this is the twenty-first century. Not that I’d exactly call myself a women’s libber, but I have learned how to ask for what I want.” She tapped her toe with mock impatience. “Now, is that a yes, or a no?”

With a crooked smile he lifted her left hand and caressed her fingers. Abruptly he stopped and held her hand toward the amber glow of the porch light. His brows knitted. “You’re not wearing Tom’s rings. I hadn’t noticed before. When did you take them off?”

With a tender sigh, she thought back to the day she’d said her final good-byes to Tom and the baby she would never hold in her arms. “A few weeks ago, when I realized how desperately I wanted to spend the rest of my life with you.”

“But are you absolutely sure? You and Tom, you had so much—”

“Tom was my first love. Yes, what we had was amazing and wonderful, and it can never be replaced.” A tear slipped down her cheek. “But the love I feel for you, though different, is equally strong. And I think I can love you better for having loved Tom. . .and for knowing how much Tom loved us both.”
Speechless, his own depth of passion shining in his eyes, Healy drew her ring finger to his lips and kissed it. She caressed his face with the palm of her hand before brushing away a streak of dampness from his cheek. She cast him an expectant glance. “You still haven’t said yes to my proposal.”

“Yes,” he said in an explosion of laughter and tears. “Yes, yes, yes!”


From Stealing Jake by Pam Hillman

Jake’s lazy gaze met hers across the sea of children milling about the room. He gave her a lopsided smile. Warmth that had nothing to do with the overheated room surged through her. She’d barely seen him in the last couple of days. He’d gone with Smitty to take Sharp, Gibbons, and the rest of his goons to Chicago, and she’d been helping get all the children settled in at the orphanage. There’d been no time for anything—

He moved, making his way toward her, his green-eyed gaze intent on hers. Livy held her breath. When he reached her side, he didn’t even pause. He laced his fingers in hers and led her from the room. Her heart pounded so loud, she feared the entire gathering heard it.

He pulled her into the privacy of the kitchen, shut the door, and looped his arms around her waist. She shivered at his touch and rested her hands on his shoulders.

Sighing, she traced a cut along his jaw. The bruises were fading, the cuts healing. Her heart flipped alarmingly at the thought that she’d almost lost him.

Thank you, Lord, for keeping him safe.

A tiny smile kicked up one side of his mouth. “Light-fingered Livy O’Brien, huh?”

Livy swatted him on the arm, her face flaming. “I’ll never hear the end of that, will I?”

“Nope. Probably not.”

Jake sobered, tilting her chin, his eyes capturing and holding her gaze. “Livy, I don’t care who you were before you came to Chestnut. I know who you are now, and that’s the Livy O’Brien I love.”

“I love you, too.” Livy’s breath hitched, and she couldn’t hold the tears at bay. “I never dreamed I would fall in love, or that anyone would ever love me back.”

Jake cupped her face in both hands, wiping away her tears with his thumbs. Then he drew her forward, tilting her face to meet his. His kiss melted her heart, and left her longing for more.

He rested his forehead against hers, and she let herself drown in the soft, tender look in his green eyes. “You stole my heart the first day I met you,” he whispered. “Will you marry me?”

“Yes. Oh yes.”

Her fingers, light as a butterfly’s touch, tangled themselves in his hair and pulled him to her.


Okay, Mary Connealy sent me 4 (FOUR) marriage proposals from her books, and I had a really hard time picking just one. What was she thinking, making me choose? Just because she couldn’t. Sheesh! Honestly, just go buy all her books, and read until you get to the marriage proposals. Sometimes you don’t have to read far.

Ethan proposing to Audra in In Too Deep by Mary Connealy

Ethan pulled his hat out of Maggie’s hands and she screamed to make a man’s ears bleed while she grabbed at it, trying to get it back.

“What’s she so riled up about?” Ethan looked with horror at Maggie while he put his hat on.

“She seems partial to you, Ethan,” Rafe said.

The screaming went on and Seth got up. "I'll take her."

Audra felt all eyes turn to her. Except Maggie who was trying to scale Ethan's body, screaming all the while.
The pressure built, the silence—not counting the screaming—stretched.

Julia’s dislike of Seth.

The need to get Maggie somewhere safer.

The sick knowledge that her father would not welcome her home and might in fact sell her off again.

The screaming.

The wrongness of kicking two men out of their home.

Ethan’s handsome face.

Audra caught herself. She hadn’t meant to include that in her list of reasons she felt forced to make a choice.
No money. No home. No rest. No real choice.

At least Ethan wouldn’t yell at her. That mindless grin on his face had the redeeming quality of being a quiet shortcoming.

The screaming.

Her wobbly backbone bent under the pressure. “If you’ll have me, Ethan, I’ll marry you.”

Ethan got a look in his eyes like a scared calf at branding time. She wondered if he’d start kicking and bawling. She had a sudden image of herself twirling a loop of rope over her head and lassoing herself a husband.

Then his fear faded. He smiled and shrugged as if she’d asked him if he wanted a cup of coffee, and said, “Okay, why not? I don’t want to sleep in the bunkhouse.”

It was so far from the romantic proposal of a girl's dreams that Audra was glad she didn’t carry a loaded shotgun.

She might've started blasting.


And from “YULE DIE,” a novella by Debby Giusti, published in CHRISTMAS PERIL

“I don’t want this to end, Callie.” He rubbed his fingers over hers. “I want every day to be Christmas. Not the hostage part, of course, but being together. I want to see you tomorrow and the next day and the next. I want to call you from work and tell you how my day went when my shift’s over. I want to share birthdays and holidays and go to church with you every Sunday.”

Her head swirled and she wanted to laugh with joy. “Aren’t you moving a little fast, Officer Petrecelli?”

“Hmmm? Maybe. But who knows what the future holds?”

A life together was her dream, and she was beginning to think it was Joe’s as well.
He hesitated for a moment then glanced at Robbie and his girlfriend. Callie followed his gaze. The young couple was totally occupied.

“I stopped by Lazarus House this afternoon,” Joe finally said.

“Room ten?”

He nodded. “I told Theo I’d met a very special woman. I said I didn’t deserve you, and that we must have met because of his prayers. Then I asked his forgiveness for closing him out of my life. Only he said he was the one who’d been wrong.”

Callie sighed with contentment as Joe wrapped his arm around her and drew her close. Being careful of his wounded shoulder, she snuggled into his embrace and, without hesitation, raised her lips to meet his. Their kiss was long and lingering and filled with the promise of a lifetime of Christmases to come.

The tree twinkled, bathing them in light, but it was the light of Christ, the light of a child born so long ago, that reflected in their hearts. Forgiveness and reconciliation, healing and wholeness, were all wrapped up in the Christmas message. Callie’s heart sang with joy, and in the distance she heard a joyous chorus as if the angels were singing on high: “Peace on earth. Goodwill toward men.”


So, there you have it. A smattering of real-life proposals, and a handful of fictional ones from Seeker books, all different, but all perfectly suited to the occasion.

Let’s talk.

Tell us about your proposal, or an interesting, unusual, or quirky one of someone you know, or even one from your favorite book or movie.

Thursday, April 24, 2008

Today's Guest ~ Jessica Ferguson

Knowledge is Power

By Jessica Ferguson

When it comes to entering contests, we need to educate ourselves and take advantage of every opportunity.

During the 90’s I wrote a romantic comedy about an Elvis look-alike. No one wanted an Elvis book so I received some interesting rejections. When I entered contests, almost all the feedback discouraged a novel about the Kind of Rock and Roll. A friend attended a writer’s conference and witnessed an Associate Editor for Silhouette Romance go ballistic over an Elvis commercial. A true Elvis fan. Now, isn’t that all I really needed to know? I searched every contest until I found one where she was judging the finalists. I entered my first chapter, made the finals and won second place. Mary Osorio bought my book right before she left Silhouette to get married. And The Groom Wore Blue Suede Shoes by Jessica Travis was born.
In December I felt drawn to the North Texas RWA Great Expectations contest, but I missed the deadline. When I learned the deadline had been extended, I heard opportunity knocking because Melissa Endlich was the finalist judge. I’d talked to Melissa about my book at an ACFW conference. She’d requested the complete but it had taken me forever and a day to finish Miranda’s Mistake. Would she still be interested? Had I waited too long to send it? I felt very strongly that I should enter the North Texas RWA Great Expectations contest for a number of reasons:
1) I could submit my 30 pages via email. That was my first two and half chapters.
2) That the deadline was extended meant they must have had too few entries—I might actually have a chance. 3) My query could explain why I wanted to write a book about terrorism in the schools (a subject that—like my Elvis----isn’t getting any interest from editors).4) If I placed, I would have a chance to revamp my submission and my query before it went to the final judge. And the big, big, big reason:5) Melissa Endlich, of course.

I made the finals. I rewrote my query letter (no names allowed) and explained to Melissa that she had requested the complete manuscript almost two years ago. I won 2nd place and yes, she was still interested.

If you’re like me, you spend a lot of time wondering and second-guessing yourself about how to proceed in your writing career. If you’re like me, you spend a lot of time wondering if you really have a writing career. We do. We honestly do have writing careers if we take advantage of every opportunity that comes our way. Opportunity knocking might mean that your favorite author is teaching an online class and you have a chance to learn from her. Or it might mean your favorite editor is judging a contest. Only you can recognize your opportunity.
I honestly believe if we can’t get in the front door, we need to rattle the doorknob to the back to see if it’s unlocked. Sometimes a window is open—whatever it takes to get into that publishing house.

Do I sound like a conniving, weird wannabe writer? Probably, but I’m also an observer. I see a lot of sales made because of networking, friendships, being in the right place at the right time, placing in a contest. Good writing is a given but I judge a lot of contests and I see a lot of wonderful writing that never makes it to the bookshelves.

In a nutshell, my point is we need to search out that contest judge (or editor or agent) who might be an Elvis fan, or have an interest in quilting or cross country motorcycle trips, or collecting antique thimbles. We need a connection who can partner with our good writing, and yes, we need to cover that connection and our writing with prayer. I’m telling you to do whatever it takes to further your writing career. Don’t give up. Target the right editor, the right publisher and the right contest. Learn what they need and be what they want. Be what they can’t pass up.

~~~~~~~~~~~~~~~~~~~~~~~

Jess Ferguson and I met in the far distant past. What I remember is, she almost tricked me into teaching a COLLEGE CLASS.

Even with my cardiologist on speed dial I'm not up for that. But she talked me into it and after about...what was it Jess...six months of panicky emails. NO ONE SIGNED UP.

Proving the average college student is very, very bright.

But Jess and I stayed friends and now it's payback time at SEEKERVILLE.

Mary