One Question That Will Unlock Your Entire Story

By Susan MayWarren, @susanmaywarren

Wouldn’t it be nice if you could plot your entire story by asking one question?

You can.

Over the past 12 years and 55 novels, I’ve discovered a “Story Equation” that helps me discover and build into a story all the essential pieces. And the center of the equation starts by asking ONE powerful question:

Who are you?

From that question, the equation pulls out two key elements: Identity and the Dark Moment Story.  From that Dark Moment Story we’re then going to pull all our essential ingredients to create our compelling character and riveting plot: The characters greatest fear, his lie, his flaw, his competing values, his wants, his wounds and the big why that drives the entire story. In the advanced layer, we’ll also find our secret desire, his greatest dream, and the other elements that help us build our plot.

WHO are you?

The SEQ starts by asking the character, “who are you?” Often, we bring to the story what we call the story seed. This is the naked story idea that has sparked–probably from something we’ve heard or read about, a big question, a situation, a historical figure or event, even a great what-if.

Owen Christiansen: Troublemaker

One of my favorite characters to develop was the final character in my Christiansen family series. I’d already explored all his other siblings, but I had no idea who Owen, the family troublemaker was until I got to his story.

I needed a SEQ.

My conversation with Owen went something like this:

Who are you? “I’m a prodigal fisherman.”

Why are you a prodigal fisherman? “I’m a fisherman because this is the job that I could get. I’m working on a crabbing boat. It’s a short term job, temporary. I don’t have to commit to it. I can just work hard for a season, get money and go on because I’m a vagabond. I’m on the run, hence why I’m called a prodigal.”

Why are you a prodigal? “Well, because I don’t want to live in the life that my parents don’t really want me to live but I can’t go home.”

Why can’t you go home? “I sort of made a mess of things at my sister’s wedding when I was visiting.”

Really, what happened? “I don’t know really what happened but my brother, Casper, got freaked out on me, got really upset, attacked me in the middle of the wedding and we got in a huge fist fight. I don’t know what his problem was. Or . . . actually I do. Apparently he fell in love with this girl that — okay. Yes, I had a one-night stand with. I realized it was probably a bad thing but I did. He fell in love with her and when he found out we’d slept together, he took it personally and got angry. I got mad too and we got into a huge fist fight. I realize now that probably I handled it badly.”

Why did you handle it badly? “I’ve had a rough go of it because I–you might not know this about me but I used to be a professional hockey player and I had the whole world and then — well, my brother-in-law actually hit me with a hockey stick and he made me blind in my eye. My whole career is destroyed. What do you expect from me? I had this life and now I don’t anymore. So thank you very much. This is my life now.”

Perfect. Now, as an author, I have a little picture of Owen. I also have a hint of the dark moment story–which is probably losing his eyes.

I can also build on that and easily ask: what is his greatest dream and secret desire? He wanted to play hockey. He wanted to be somebody.

Now that I’ve drilled down the adjective, I’ll move over to the noun. Fisherman. This gives me a hint of what Owen looks like on the outside. He’s got an eye patch because he lost his eye. And, he’s working the high seas, so we can attach a pirate vibe to him. He’s probably a hard worker because he needs to earn money. Probably also a bit unkempt, scruffy beard from being at sea for a month. He doesn’t really care what he wears, old it-shirt, old sweatshirt, this sort of thing.

We can go even deeper and ask: What’s his attitude? Who is this guy who’s now working on a fishing boat? He’s named himself a prodigal. A person that’s named himself a prodigal probably has a little bit of regret. When the story opens, Owen knows he’s not doing the right thing but he feels like there’s no way back. He probably wears a small chip on his shoulder, and most likely feels very alone. Perhaps he feels that he can’t get close to people because he feels guilty about hurting his brother–which means he might even regret his womanizing ways. Perhaps he’s even tried to amend his actions, but still feels like he can’t go home.

However, based on this analysis, his secret desire is definitely to go home.

(By the way, get Owen’s story, You’re the One that I Want here!)

Give us a Dark Moment Story

The goal is to get to the heart of your character by asking why, until you land on a Dark Moment Story.

The Dark Moment Story is the core of your SEQ; it’s the secret sauce behind what all the stuff that your character does. The Dark Moment Story gives your character motivation, it combines with the greatest dream to find out what he wants, which then gives him a goal, establishes his lie, and helps develop your character’s flaw. (Which we’ll expand on next time) All the pieces of your equation come from this dark moment story.

We can find a dark moment story in almost every great movie.

In Braveheart, William Wallace’s Dark Moment Story is played in out in the first 20 minutes of the film. First his family dies and then the woman he loves, his wife dies.

In one of my favorite movies, While you Were Sleeping, the Dark Moment Story is told by the heroine, Lucy, to Jack during their walk home through Chicago. (Hint: it’s the story of her father, always wishing to go somewhere, and her never taking a trip because he got sick and she had to take care of him. Her wound is her empty passport. But, we’re getting ahead of ourselves!)

Three essential elements to a Dark Moment Story

• The Dark Moment Story is a specific event.

Often, when authors develop character, they sum up their past with an overview: “Well, his parents got divorced or his mother died or his brother ran away or he was bullied in school . . .” These are certainly traumatic, life-changing events, but none of us clue us in to what shapes your character. As an author, you have to create a specific event in which that seed a rejection fear, unforgiveness, bitterness took place.

It needs to be something that happened, something they remember, and something they can detail. And often, it isn’t the main event, but an ancillary event that really matters.

• The Dark Moment Story is Relatable

You’re looking for something poignant, something that will tug on the heartstrings. It doesn’t have to be elaborate, or even that dramatic. It could merely be the day when no one showed up to your character’s seventh birthday party. Or the day your character thought he was going fishing with his father, and he got left at home. Sure, it might be powerful–the death of a family member, for example. But often we jump to the dramatic when, in fact, it’s the small things that wound so deeply.

• The Dark Moment Story is Poignant

You, as the author must be able to dream it up and feel it first. Have your character tell it to you in first person, and write it down in detail, so you can hear and feel the inflection of their voice, their words, and their emotion. Once you make that emotional connection with the story, you can share the deeper layers of it–and your reader will connect with the emotion and story as well.

The magic of the Dark Moment Story isn’t just in developing character; it’s also a tool you’ll use in the story to develop the bond between characters and between the character and the reader.

In most cases, you’ll insert that story in dialog in your second act to help solidify the motivation for the Noble Quest as well as build the Character Change journey. Yes, you might modify the story in the retelling on the page, but getting the foundation down now is the key.

Once you have your Identity and your Dark Moment Story figured out, you have the tools to build the rest of the SEQ.

If you are a true organic, and you just can’t bear to do any more planning, then stop right here. You know who your character is, and what motivates him.

Or . . . you can keep going and start to pull out the plot. For more information on the SEQ check out my book The Story Equation: How to Plot and Write a Brilliant Story with One Powerful Question.

Go write something brilliant!

 
GIVEAWAYS!! 

Leave a comment, and you're in the draw for TWO giveaways, winners' choice of Susan May Warren's excellent writer's resource, The Story Equation, or her latest release, A Matter of Trust.

The Story Equation: How to Plot and Write a Brilliant Story with One Powerful Question

Discover The Story Equation! One question can unlock your entire story! Are you struggling to build a riveting plot? Layered characters? How about fortify that saggy middle? Create that powerful ending? You can build an entire book by asking one powerful question, and then plugging it into an “equation” that makes your plot and characters come to life. You’ll learn how to build the external and internal journey of your characters, create a theme, build story and scene tension, create the character change journey and even pitch and market your story. All with one amazing question.

And

A Matter of Trust (Montana Rescue)

Champion backcountry snowboarder Gage Watson has left the limelight behind after the death of one of his fans. After being sued for negligence and stripped of his sponsorships, he's remade his life as a ski patrol in Montana's rugged mountains, as well as serving on the PEAK Rescue team. But he can't seem to find his footing--or forget the woman he loved, who betrayed him.

Senator and former attorney Ella Blair spends much of her time in the limelight as the second-youngest senator in the country. But she has a secret--one that cost Gage his career. More than anything, she wants to atone for her betrayal of him in the courtroom and find a way to help him put his career back on track.

When Ella's brother goes missing on one of Glacier National Park's most dangerous peaks, Gage and his team are called in for the rescue. But Gage isn't so sure he wants to help the woman who destroyed his life. More, when she insists on joining the search, he'll have to keep her safe while finding her reckless brother, a recipe for disaster when a snowstorm hits the mountain.

But old sparks relight as they search for the missing snowboarder--and suddenly, they are faced with emotions neither can deny. But when Ella's secret is revealed, can they learn to trust each other--even when disaster happens again?

ABOUT SUSAN MAY WARREN: 

Susan May Warren is the USA Today bestselling, Christy and RITA award-winning novelist of over fifty novels. An eight-time Christy award finalist, a three-time RITA Finalist, she’s also a multi-winner of the Inspirational Readers Choice award, and the ACFW Carol Award.

A seasoned women’s events speaker, she’s a popular writing teacher at conferences around the nation and the author of the beginning writer’s workbook: The Story Equation.

She is also the founder of www.MyBookTherapy.com, and Novel.Academy, a school for aspiring novelists. You can find her online at www.susanmaywarren.com.

The Story Equation

with guest Rachel Hauck.

Working on my 25th novel, I feel less of an expert on novel writing than ever. How is it the things I teach seem to elude me when I write?

Before starting a novel, I spend about a month dreaming and developing the characters.

Whether you’re a pantser or a plotter, knowing who you are writing about from the start is paramount.

Readers don’t really care about plots. They care about characters. The depth and detail in which you create your protagonists will determine the details of your plot.

Being writing partners with Susan May Warren for the past twelve years has taught me a lot.

We’ve matured together in our knowledge of the craft, but Suz is a master at putting ideas together in a teachable form.

For years we’ve taught the Lie Journey then formulated it into the Story Equation. Better known as the SEQ.

I never start a book without this little gem.

This graphic is the basic Story Equation. We’ve added are a few more “dots” along the circle but this basic formula should inspire your creative genius.

I know, it doesn’t look like much of an equation — I call it the story cookie — but the factors (ha! like how I did that?) you find here will help you develop strong characters to drive a compelling plot.

As you can see, the wound, lie, and fear surround the Dark Moment.

The Dark Moment is that “thing” that happened in the past to your protagonist. OR something she did in the past. This moment and the wound it created is what will heal in your protagonist as the story progresses.

The DM can be anything from parents divorcing, abuse, physical trauma to a broken heart, to neglect or outright rebellion.

The Dark Moment must be specific, relatable and poignant. 

Usually, the best Dark Moment happened to the protagonist when she was a child. Children cannot process events like teens or adults so trauma impacts them significantly. It changes their world view. 

 Death, divorce, abuse, seeing something they shouldn’t are all good DM launches. But remember, it must be specific, relatable and poignant.

This DM then forms a wound. From the wound, a lie develops.

One of my characters, Susanna, from Once Upon A Prince was a young girl when her parents divorced. Until then, they fought bitterly, throwing plates and four letter words at each other.

During these episodes, Susanna hid in her closet and pretended it was a beautiful garden.
As a result, she developed a wound: her parents did not love her or each other. Her world was unsafe.

This wound became a lie: she must take care of herself. No one else will.

Which matured into a fear: she could not let go of her securities, her plans, her very ordered life.

She grew up to become a landscape architect and a planner. She wanted her world orderly and safe. So when her long-time boyfriend breaks up with her, she is thrown back into those turbulent childhood wounds and lies.

Make sense?

I’m skimming the surface a bit with Susanna’s story but you can see how the DM from her childhood formed her thinking and impacted her world view.

These elements hold your character back from realizing her dreams. (P.S. You need to do this with your hero as well.)

However! The Secret Desire is dying to be released and realized. 

But it’s buried deep in your protagonist’s soul. It’s the thing she longs for — the hope of God has given her — more than anything but is terrified to attempt. 

The inciting incident awakens this desire and it comes knocking. “I want out. I want out. I want out.”

Make the secret desire the opposite of the fear. Again, the more specific you make these elements, the more dynamic the character. 

So there’s your basic Story Equation: Dark Moment of the past is an event that creates a wound which leads to a lie which develops into a fear. But the God-given secret desire is about to change everything.

This journey formulates the epiphany and a profound change for your character by the end of the book. 

Now, check out my new release The Writing Desk to see if I accomplished this in any way shape or form. (Snicker!)

Do you have any questions about SEQ? Can you see your story fitting into The Story Equation?

To find learn more about the SEQ visit www.mybooktherapy.com

Blessings!

Rachel 

Know your character
SEQ
Know what they want
What the story is about
Goals
Fears
Wound

• Find the through line - Robert McKee ( a theme or idea that runs from the beginning to the end.) Knowing your character and what drives them and you can define it in one sentence, then you know your character and you know your story.

Examples:

Dining with Joy

She wants to win her dead father’s approval. So she takes on his show. She thinks she wants OUT of the show but she can’t until she discovers how much he loved her.
 
Benjamin Martin in the Patriot 

Wanted to keep his family safe. Peace. It drove him. So war comes to his front yard and demands he participate to GET what he wants.  

• ACTION

Keep the characters moving and talking. Not musing in their heads.

• EXTERNAL PLOT

What is going on in the world around them? 
It can't be Nothing. 
Have to enter into their NOW world. What’s going on now?

• INTERNAL WANT V EXTERNAL OPPOSITION

What do they want and what’s keeping them from it.

Examples:

Dining with Joy

She wanted out of the show. She couldn’t cook. But people were counting on her. Her family. The show. Some pleasure in having fame. And to keep her promise to her Daddy.

The Proposal (the movie)

She wants to stay in America to keep her job. He wanted a promotion. Each scene builds around these overall WANTS. Something keeps the protagonist from getting what they want.

Opening scene: Drew’s tension. He is late for work. The whole opening shows Drew’s want and tension. He’s late. He spilled coffee. 

Her opening is she has to fire Bob is and called a Bee-ach. There’s tension in how she’s in command. But when she’s told she is being deported, which she bought on herself, we get how devastating this is to her. Story tension must drop down and create scene tension

What they want + obstacles = scene tension

• DIALOG

Words count.
Mean things.
The dialog has to tell the story.
“Tell the story between the quotes.”
  Use the dialog to up the tension.
Say what they’re thinking.

• PACING

Keep the pacing up. Don’t spend too much time in detail. Or describing things. 
Don’t write in circles.

• DROP THE BOMB

Dining with Joy

• SHORT SENTENCES

Short, choppy sentences with active verbs signal tension. Think of the text mirroring your protagonist's racing heart. Long, meandering sentences filled with adjectives and adverbs imply a relaxed pace. Varying the format of the text will shoot tension into key moments of each scene.

• MAKE IT PERSONAL

The more personal the better. 

• DETAILS

Make it as personal as possible.
Specifics!!

• SEQ

The reason you want to discover your characters and your story is because you want to know where you're going so you CREATE the right tension. It is a more efficient use of your time.


Leave a comment today to win a copy of The Writing Desk. Two winners. One copy of The Writing Desk is up for grabs in ebook and one in print. Winner announced in the next Weekend Edition.

From the New York Times bestselling author of The Wedding Dress comes a new captivating novel of secrets, romance, and two women bound together across time by a shared dream.


Tenley Roth’s first book was a runaway bestseller. Now that her second book is due, she’s locked in fear. Can she repeat her earlier success or is she a fraud who has run out of inspiration?


With pressure mounting from her publisher, Tenley is weighted with writer’s block. But when her estranged mother calls asking Tenley to help her through chemotherapy, she packs up for Florida where she meets handsome furniture designer Jonas Sullivan and discovers the story her heart’s been missing.


A century earlier, another woman wrote at the same desk with hopes and fears of her own. Born during the Gilded Age, Birdie Shehorn is the daughter of the old money Knickerbockers. Under the strict control of her mother, her every move is decided ahead of time, even whom she’ll marry. But Birdie has dreams she doesn’t know how to realize. She wants to tell stories, write novels, and make an impact on the world. When she discovers her mother has taken extreme measures to manipulate her future, she must choose between submission and security or forging a brand new way all on her own.


Tenley and Birdie are from two very different worlds, but fate has bound them together in a way time cannot erase.

Special Bonus!! "The USA Today HEA blog unveiled the cover of Second Chances, a romance anthology arriving Sept. 12 from Romance Writers of America and featuring stories from some of your favorite authors. They're also sharing an excerpt from Rachel Hauck’s included story, Love Is in the Air." Check it out here!

Rachel Hauck is an award winning, New York Times, USA Today and Wall Street Journal bestselling author.

Her book The Wedding Dress was named Inspirational Novel of the Year by Romantic Times. She is a double RITA finalist, a Christy and Carol Award Winner.

Rachel sits on the Executive Board for American Christian Fiction Writers and is the comical sidekick to Susan May Warren at My Book Therapy. She is a worship leader and speaker.

A graduate of Ohio State University with a degree in Journalism, Rachel is a devoted Ohio State football fan. She lives in sunny central Florida with her husband and ornery cat.