Showing posts with label reality check. Show all posts
Showing posts with label reality check. Show all posts

Friday, October 9, 2015

8 Reasons why ‘No Limits’ is Bad for You



Yeah, yeah, I’m a rebel. I couldn’t think of anything on the topic of No Limits—besides the opposite. Because I’m contrary like that.




So if this turns all Negative Nelly on you, I blame it on Tina.

So, why is ‘No Limits’ bad for you?

#1 - No Limits=Bad Physical Habits

Successful writing takes a lot of time in the chair. If you’re not in a chair more than most anybody in the world, you’re probably not writing enough. But that means we’ve got a problem fitness-wise, bodies need to be active. If you sit and do all your writing responsibilities without limits, you’ll be in trouble. 

And if you don’t believe me, would you believe people at Harvard? Too much sitting linked to an early death.




And of course if we don’t limit the chocolate/sweets intake while we’re sitting in that chair infusing emotion into fake people…




You need to set yourself some physical limits. Get up!

#2 - No Limits=Bad Mental Habits 

If we aren’t careful with how we spend our time in that wannabe electric chair we write in, we can also gain some bad habits of the mind. Social media marketing can suck you into a black hole of wasted time.




Without time limits, unimportant things can spiral out of control. Our brain needs direction, otherwise it’s going to take the easy way out. Writing is difficult, but liking things on social media is easy. Or perhaps you find editing, reediting, and fiddling with words much easy than writing, or maybe writing that scene in your head for your next book feels easier than fixing that scene your critique partner didn’t buy.

Don’t let your brain get lazy, limit the time sucking activities and get to work on the hard stuff.

#3 - No Limits=Failure

How’s that saying go? ‘If you shoot for the moon and miss, at least you’ll be among the stars?’

Nonsense. In a regular spaceship going 17,600 mph, it would take 165,000 years to get to the nearest star. (I’m not counting the sun since that’s not what the saying means if anyone wants to get technical on me.)



Not to mention that if you shoot for the moon and miss, you essentially failed. Big Fat F for you!

If you believe you have no limits, one day you may be really disappointed to realize you’ve gotten nowhere. Narrow down your targets, then aim, shoot, and move toward the ones that matter most.

#4 - No Limits=Potential Untrustworthiness

Deadlines are Limits. You can’t get rid of them. Even in self-publishing, if you hit that preorder option on Amazon, you’ve got yourself a limit on how much time you can spend on a project. 

Ignoring deadlines will not gain you favor in the eyes of publishing professionals. The more times you fail to make your deadlines, the likelihood a publisher will give the next contract to someone else who can be trusted rises.

Constantly pushing back promised release dates will not gain you the favor of readers awaiting your promised book. And the longer it takes you to get out the next book, the likelihood your readers will find another author to patronize goes up.

#5 - No Limits=Exhaustion

I’m not good at this one either. When people ask me how I get everything I’ve got going done, I like to joke that when I had my first baby, I got used to being sleep deprived and just went with it.

Those deadlines can kill you if you don’t set up your time properly. 

This is why I’d suggest that no one try to get their first book published until you have a handful of books under your belt. I doubt you sat down with that first book every day and pounded out words systematically. You likely stopped and started while chasing the elusive muse. Hopefully while you wrote that first one, you realized you needed to learn/increase your knowledge of craft and story, then rewrote or moved to the next book with your newly acquired skill set. 

So how can you know how fast you can produce a book? The more books you write, the more familiar you are with your writing process. If you’re put under contract with that first book, how confident will you be to say, “Sure, I can turn in a quality book in 8 months”?

You do have limits. Producing a good book in a few short weeks can be possible for some, but are you sure you can do it if you’ve never been limited by time before? You may end up one very, very exhausted writer trying to make that first deadline.

#6 - No Limits=Panic

Practice your limits. When I was writing my first book, I listened to a few published authors and noted that most were writing a book while editing and marketing. So I decided to start then and there by practicing having 4 projects going at once. I was plotting/brainstorming one book, while writing another, while editing another, while working on my marketing platform all at the same time. Could I do it? How long did I need for each task? 


I’m very thankful I started doing that early. I don’t think I’d be capable keeping up with my current publishing schedule as well as I am if I hadn’t practiced, because frankly, the publishing schedule is even more demanding than what I demanded of myself.  I could have easily become an emotional wreck, sitting in a corner, sucking my thumb with the amount of work expected of me.

My acquiring editor cares about me, sure, but the publishing machine doesn’t hand me exemptions just because I homeschool with three children at home. 

I’ve had to drop a lot of things—a lot of good things—from my schedule, like television (though I’m not sure anyone can convince me that’s good anymore), church choir, a particular homeschool curriculum that was too time consuming for me, crafting hobbies, etc. because I indeed have limits.  If I thought my capabilities had no limits and tried to do everything, I’d end up in the loony bin.



#7 - No Limits=Unable to handle criticism well

 If you believe you can do it all, you’ll be ill-equipped to cope when someone very publically claims you failed. Very few writers are going to put out an award-winning piece on their first try. And even if it is award-winning, some people will still hate it. Actually, my first piece was award-winning (And still free as an ebook!), but it wasn’t beloved by all….
If you don’t realize people’s reading preferences will limit what they enjoy, those one star Amazon reviews can feel like a deflating sucker punch to the gut. 

Or you might think you can address ALL. THE. PROBLEMS. in negative reviews in your next book. However if  you start fixing everything reviewers hate, you’ll likely lose your voice, your intent, your unique niche in the genre because you’re trying to make everyone happy. Limit yourself to making your target audience happy, not everyone in the world. 

Appeasing all of my one star reviewers would be completely impossible, especially since some of them claim that I did the opposite of what another reviewer claims. If pleasing people is high on your list of character attributes, trying to do so writing fiction will likely make you feel like the biggest loser ever.

However, if you realize you have limits, you can focus on the right bits of criticism and focus on one at a time. 

Do you hate draggy books and you get a lot of comments that your book drags in the middle? Then on the next book, focus on whittling down that middle. Whittle until it hurts. Then whittle some more. Let it sit and when you return to read it after some time spent away, if the book still works, you can thank your reviewers.  

Do people criticize you for being all angsty and letting the  romantic tension drive them crazy until the end of the book, but YOU sadistically like it when a book has you in agony with the “will they or won’t they” question? Check if anyone else likes that angst, and if they do, FORGET THOSE CRITICIZERS. They’re not your target audience—you and those 5 star reviewers who liked that about your book are.

#8 - No Limits=Unrealistic Expectations

Do I dare say that if you don’t recognize the limit of the talent you possess, you could waste a lot of time and money on that sky-high goal you’re doomed not to hit? 

I can work on dancing all I want—and I will get better—but if I believed that with hard work and determination I could become a world class champion swing dancer, I’m going to waste a lot of time and money. (I found out that I do not have the talent of rhythm when I was required to clap and sing at the same time in show choir, the only possible way for me to do so was to sing while mindlessly mimicking the person clapping next to me. Otherwise, I’d have turned our uptempo version of the Magnificat into the MagnifiCAN’T.)



If you want to write, do so! Have fun! Grow!  I don’t even believe you need a lofty calling to write and seek publication. If you want to write, do it. 

But if you’re expecting to write something about a snail and produce a poem like Oliver Wendell Holmes’s, The Chambered Nautilus, but your poetry talent is more suited for a piece like Shel Silverstein’s, Warning, you’re going to be disappointed that you never get appointed as Poet Laureate.  Or if you’d rather be Silverstein, but your talent lies in intricate poetics like Holmes, then you’ll be disappointed when no middle schoolers ask for your autograph.

Don’t go through life disappointed about your limits, work with them, take advantage of them, grow within them, and if you happen to conquer one, rejoice! 

Use limits to your advantage and become the best kind of writer you can be! 


Melissa Jagears limits herself to homeschooling, writing, editing, bookkeeping, and keeping the house clean enough that Hazmat suits aren’t required to enter her house. She, however, needs to get out of her chair more often, eat less sweets, and really try to stop writing long before 4 am.....but well, she’s a bit overweight and exhausted at the moment for a reason. You can find her online at melissajagears.com, Facebook, Pinterest, and Goodreads. Here newest book is A Bride at Last, which was written while caring for a newborn—do you know how limiting those are to productivity???? And the next one for up for preorder is with our very own Seeker, Mary Connealy, With This Ring?


Seekerville is giving away an ecopy of the winner's choice of one of Melissa's Unexpected Brides series books. Just let her know how you feel about #nolimits VS #limits in today's comments.

Winner announced in the Weekend Edition!



Comment today for a chance to win!


Monday, February 15, 2010

Writing Like an Olympian


Missy Tippens, here. Who watched the opening ceremonies of the 2010 Winter Olympics on Friday night? I’m always inspired by the Olympic games, and the athletes never cease to amaze me. Their commitment, dedication, persistence, fighting spirit—

What? Sounds like a writer pursuing publication, you say? By golly, it sure does! :-)

I checked out some of the athletes at teamusa.org, and their stories of how they overcame obstacles made me think of some of the lies and excuses we, as writers, sometimes tell ourselves…

Lie #1: I’ll never sell a book, so why try?

Jeremy Abbott

  • Home: Aspen, Colo.,
  • Birthday: June 5, 1985

Event: Figure Skating - Singles

Abbott began skating at age 4, inspired by watching British 1980 Olympic men's gold medalist Robin Cousins skate in a show in Aspen, Colo. He moved on to the U.S. Figure Skating Basic Skills Program, competing in ice dancing and pairs. A fractured vertebra sidelined him for 15 weeks in 2003. In 2005, Abbott compared his chances of winning the junior national championship to the likelihood of pigs flying. Of course, he ended up winning the title. Family and friends subsequently started the "Pigs Can Fly" Web site and fan club. Abbott started the Jeremy Abbott Training Fund with the Aspen Skating Club, his first club, to support competitive local male figure skaters.

Short List Performance

  • 2009 U.S. champion
  • 2008 Grand Prix Final gold medalist
  • 2007 Four Continents bronze medalist
  • 11th place at 2008 and 2009 World Championships
  • Fourth place at 2007 and 2008 U.S. Championships
  • 2005 U.S. Junior champion
  • Ranked No. 7 in the ISU World Standings as of May 2009

Jeremy didn’t give up even when injured. He went ahead and tried. So can we! Remember, pigs can fly!

Lie #2: I don’t know the right people, have the right connections or have the money to pursue publication.

Kelly Clark

  • Home: Newport, R.I.,
  • Birthday: July 26, 1983

Event: Halfpipe
Height: 5-4
Weight: 135 lbs
Birthplace: West Dover, Vt.

FIRST TRACKS
Who would have known that a plastic Mobile Monster snowboard from K Mart would have such an impact on the world of snowboarding? Well, that's the equipment on which Clark got her start, linking turns on snow banks back in Vermont. A few years later she was enrolled in a
mountain school for her high school years and the rest is history as Clark marks herself as one of the world's best female snowboarders.

OLYMPIC WINTER GAMES/WORLDS
2006 Olympic Winter Games - 4th halfpipe
2002 Olympic Winter Games - 1st halfpipe
2001 Worlds - 9th halfpipe

If Kelly can start with a board from K-Mart, then we can jump right in no matter who we know or what our income bracket. Don't even let those type thoughts get a grip in your mind.


Excuse #3: I’ve been at this forever. If I haven’t succeeded by now, I never will. Besides, the last few contest entry results have knocked me on my rear.

Bill Demong

  • Home: Vermontville, N.Y.,
  • Birthday: March 29, 1980
  • Nordic Combined

Short List Performance

  • 1998 Olympic Winter Games - 10th (Team), 34th (Individual)
  • 2002 Olympic Winter Games - fourth (Team), 14th (Sprint), 19th (Individual)
  • 2006 Ollympic Winter Games - seventh (Team), 15th (Individual), 25th (Sprint)
  • 2007 World Championships silver medalist (15km individual)
  • 2009 World Championships - gold (10km large hill), bronze (10km normal hill)

Personal

Demong's father, an environmental biologist, had him on cross country skis at age 3, racing at 5 and jumping at 10. After seven years in Larry Stone's Lake Placid program, Demong made the 1998 U.S. Olympic Team at age 17. His biggest hurdle came in the form of injury, a fractured skull suffered in 2002 that held him out of the 2003 season.

Okay, so Billy started at age three. Three! How many of us started writing then? I don't think so. Yes, it may take forever to sell, but at least we don’t usually fracture our skull in the process! :-) We just have to be patient and persistent. Do NOT give up.

Excuse #4: I can’t figure out my niche. I’ve tried my hand at three/four/twelve different genres and can’t find my voice.

Anders Johnson

  • Home: Plattsburgh, N.Y.,
  • Birthday: April 23, 1989

Event: Ski Jumping

2006 Olympian

2010 Olympian

Short List Performance

  • 2006 Olympic Winter Games - 14th large hill
  • 2009 National Championships - overall champion
  • 2008 National Championships - first (large hill), third (normal hill)
  • 2005 National Championships -12th (large hill), ninth (normal hill)
  • 2004 National Championships - fifth (large hill), eighth (normal hill)

Vancouver Watch

At 16, Johnson qualified for and competed in his first Olympic Winter Games, making himself the youngest U.S. Olympic ski jumper in history and the second youngest ever to be selected to the U.S. Olympic Ski Team. He continues to improve and climb higher on the medal stands with a first and third place finish at the 2008 National Championships and a gold medal at the 2009 National Championships.

Personal

At 3 years old, Johnson followed his sister, Alissa, off a 20-meter ski jump with no helmet and landed, thus beginning his career in ski jumping.

You can’t always get it right the first time. You might have to take a risk and fail. And you know what? Sometimes you just have to close your eyes and jump!

Excuse/Lie #5: So-and-so has had such an easy journey to publication and has had immediate success. It’s just not fair.

Hannah Kearney

  • Home: Norwich, Vt.,
  • Birthday: Feb. 26, 1986

Freestyle Skiing - Moguls

Short List Performance

  • 2006 Olympic Winter Games - 22nd
  • 2005 World Champion
  • 2009 World Championships bronze medalist (dual moguls), 14th (moguls)
  • 2009 World Cup Season Champion

Vancouver Watch

Kearney's results have been as bumpy as the terrain she navigates in competition. From a World Champion at 18 years old to 22nd at the Olympic Winter Games a year later to 14th at the 2009 World Championships to the overall World Cup crown to finish the 2009 season. It's hard to say how Kearney will fare at the 2010 Olympic Winter Games, but she will certainly be one to watch out for.

Personal

Kearney started skiing at age 2, coming up through the Ford Sayre program and Nick Preston's Black and Blue Trail Smashers Team at Waterville Valley, N.H. Prior to winning four Junior World Championships in moguls, she was a high school state soccer and track champion. Once Kearney narrowed her focus to moguls full-time, she won two competitions in her first World Cup season at age 17. She missed the 2007 World Championships due to a torn knee ligament, then missed three weeks in 2008 with a concussion.

We’d assume someone who’s made the Olympic team has it made, but it’s not always easy, and there’s no guarantee. The same with writing. Sometimes the path God takes us on is very different from the path He’ll lead someone else on. And often, it isn’t the easiest path. But we each have our own path that we need to focus on. Plus, as a good parent usually has to say at some point: life isn’t always easy! :-)

I hope you’ll be encouraged by these athletes and stay on your writing journey. And speaking of journey, can you share with us what’s been going on with your writing lately? Share both the thrills of victory and agonies of defeat.


Tuesday, February 10, 2009

Be careful what you wish for!

You’d think after dreaming about The Call for 25 years, I’d have been slightly more prepared. The truth is, I don’t think anything can fully prepare you for life after the call.

The biggest change, obviously, is that you go from creating your own deadlines to performing under other people’s deadlines--which often means you have to stop working on one project to meet the editor’s tight schedule on another.

You also learn (is this news to anyone???) that writing isn’t just about writing. Of course we all know what it’s like to revise and tweak and mull over new titles. But writing is also about ...
  • Schmoozing to increase your name recognition.
  • Attending conferences.
  • Volunteering with your writers group chapter.
  • Maintaining your website, blog (or 2 or 3), and Facebook page.
  • Coming up with clever back-cover copy.
  • Mining your contacts for valuable endorsements.
  • Lining up speaking engagements.
  • Investigating every promo opportunity from the neighborhood flea market to Good Morning America.
Because if your first book doesn’t do as well as the publisher hopes, what are the odds she’ll take a chance on your next one?

Lest Ruthy accuse me of whining and break out her steel-toed kick-in-the-pants boots, let me just say that I’m thrilled to be off the tuna-and-coconut diet on Unpubbed Island (and not just because of Audra’s scary rifle or Sandra’s mandatory 5 a.m. mountain bike rides).

Reason #1: Revising because a bona fide editor with a major stake in my book says it’s necessary is a whole lot more motivating (not to mention fun!) than trying to please a critique group and persnickety contest judges who can’t seem to agree on any aspect of my manuscript.

Reason #2: My CPA is much happier now that I have actual income to report (even though the expense column is still winning the race).

Reason #3: No more boring Christmas letters saying, “Yes, Myra is still writing and hoping to sell a book.”

Reason #4: I never, ever, EVER have to sweat the decision about whether to enter the Golden Heart (and then try to make sense of those wildly divergent scores).

Reason #5: I get to put my cute little book cover graphic in my e-mail signature!

Your turn. If you’re published (or contracted), name your 3 most and least favorite aspects about life as a professional author. If you’re still waiting for The Call, name the 3 things you most look forward to leaving behind once that big day comes.

Monday, December 29, 2008

Writers Write. Everyone Else Makes Excuses

-- Jack Bickham.


So what's your excuse for not writing?

In truth--I really don't want to hear your excuses, and I doubt if you really want to hear mine. We both know we have a drawer full of sorry rationalizations, when we should have a drawer full of manuscripts, short stories or articles to peddle.



Here we sit on the brink of a new year, and there nothing is more promising than those 365 days in front of us.

A clean slate, crisp and blank for us to write our future upon.





Several weeks ago Seekerville guest Lenora Worth, shared some powerful words. Words worth repeating. They really seared my conscience and I hope they do yours also:


"We should never take our talents lightly or squander them away. So if you’re reading this and you’re down or wondering why you should keep trying, remember you have a responsibility to develop your talent and your craft because there just might be one person out there waiting to read YOUR story."


This certainly casts a new light on your writing doesn't it?

Instead of condemning yourself for not giving enough to every other area of your life, keep in mind that your writing is your calling, and you have an obligation and responsibility to that calling too.

With this in mind I am making a list of ten. Ten excuse busters. Ten things I can do. I don't have to do them all everyday but I can do at least one of them each day.

Tina's List of Ten

1. I will carry index cards and pen with me at all times to jot down conversations and ideas.

2. I will not check my email when I am supposed to be writing.

3. If I have insomnia I will turn it into productive time by at very least researching something from my WIP or for a non fiction article.

4. When I am "stuck" in a story I won't waste valuable time: I will move to another project.

5. Instead of hitting the snooze button, I will get up 15 minutes earlier each day and write, because those fifteen minutes translate to 5,475 minutes of extra writing time a year, and seven and a half more hours of writing time a month.

6. When I suspect I will be waiting in line somewhere, I will print out pages to revise as I wait.

7. I will give up one television show in 2009 for 4 extra hours of writing time each month.

8. By making my lunch the night before and planning my clothes (ugh!) I can leave for work at 6:15 instead of running out the door at 6:30 and avoid traffic. I will arrive at work 15 minutes early and can read a writing craft book for 15 minutes and/or revise my WIP.

9. This year I will try that trick of leaving your manuscript mid-sentence when you are done for the day, in an effort to jumpstart my next day's writing.

10. If I don't feel like writing I will write story starters.

That's it. Pretty simple, right?

In 2009 I challenge you to create your own List of Ten.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"What have you done today to make your dream come true?"--Karen King

"Ultimately you have to choose your writing over something else. It has to become a priority. Only the writer can decide what you are going to carve out of your life in order to fit this in."
-- David Ebershoff



"Half of getting what you want is knowing what you have to give up to get it."
--Bill Phillips.




"The person who moved a mountain was the one who began carrying away small stones."
--Chinese Proverb

Thursday, October 16, 2008

Good news and what I learned from it

Camy here, with some great news! I just got another 3 book contract with Zondervan!

The books are not a series—they’re 3 stand alone titles. The first book is slated to release May 2010 and is tentatively titled The Year of the Dog (they’ll probably change it). It’s a women’s contemporary novel. Here’s the back cover blurb from my proposal:

Tessa Ota, a professional dog trainer, is having a bad year.

While moving ahead with renovation plans for her new dog kenneling and training facility, Tessa needs to move in with her disapproving mother and her antagonist sister. She convinces her ex-boyfriend to take her dog for a few months … but discovers that his brother is the irate engineer whose car she rammed a few weeks earlier.

Charles Bretton has enough problems. His mama has just shown up on his doorstep all the way from Louisiana, and his brother has to move in with him after being kicked out of his apartment—with a dog in tow. And guess who the dog’s owner is?

His brother’s slovenliness, Mama’s diabetic bouts with low blood sugar, and the dog’s bad behavior are all distracting Charles from his wedding plans with a woman whose family connections will help Charles in his career. But he can’t help being attracted to the dog trainer whose sunny smile masks her bitterness at hypocritical Christians, and he starts to wonder about his own professed faith.

Will Tessa’s disjointed family and Charles’s disruptive home prevent both of them from discovering what’s really important?


But my post today is not about my good news (although I hope you are all setting your calendars with a “buy Camy’s book” reminder in May of 2010!).

After I finished writing Single Sashimi in Fall of 2007, I asked my editor at Zondervan, “What do you want me to write next?”

She said, “I want a contemporary romance with a dog in it.”

Did I say, “No, I don’t want to write romance, I like writing chick lit.” or “No, I don’t feel like it”?

Of COURSE I’d write what she wanted. I’m not STUPID.

But here’s my point: Your muse is a myth. Get over it and write what you should write.

I am not saying to write to the trends, because they come and go too fast.

And I’m not saying to write what you don’t feel comfortable writing.

But I am saying that for writers to cling to their “muse” and what the “muse” is telling them to write is just plain dumb. And bad business practices.

There is no such thing as a muse. What there is are writers who target their energies toward writing good books. Period.

“You should write historicals.”
“You have a great historical voice.”
“No other historical writer writes that setting/time period.”
“Your historical books are better than your contemporaries.”

Are you going to listen to your “muse” who says that the “book of your heart” is a contemporary women’s fiction about your traumatic past, and only focus on that, or are you going to listen to peers and professionals who say you have a great historical voice?

Look at Ruthy. Tina dared her to write a non-women’s fiction novel, and it ended up winning the Tara contest.

Did Ruthy say, “No, I don’t write anything except Women’s Fiction”? Heck no. She said, “Sure, I take your dare,” and look what opportunities it opened for her!

The “book of my heart” is a fantasy epic novel hidden under my bed. Did I cling to my “muse” who said that fantasy is my favorite genre and I should only write it?

No. I wrote chick lit because I also like reading that. I wrote romantic suspense because I also like reading that. I stuck the “book of my heart” under my bed to play with the dust bunnies.

Bottom line: Be flexible. You will not survive in this business otherwise.

Contests are a great opportunity to experiment with different genres, different “brands” for yourself.

Be willing to try different things. Be willing to focus your energies on sound business decisions about what to write next.

Be willing to be willing.

Camy Tang writes romance with a kick of wasabi. Her novel Single Sashimi is out now, and she runs the Story Sensei critique service. In her spare time, she is a staff worker for her church youth group, and she leads one of the worship teams for Sunday service. On her blog, she gives away Christian novels every Monday and Thursday, and she ponders frivolous things. Sign up for her newsletter YahooGroup for monthly giveways!

Friday, October 10, 2008

Guest Blogger Carla Stewart on Characterization


Seekerville. What a lovely place to visit and greet old friends. Hang out with new ones. You girls thrill me with your cyber banquets and encouragement to one another. Congratulations on an excellent first year! I counted and think I met at least nine of you last month in Minneapolis, and you are just as much fun in person as you are here. Thanks for inviting me to share my thoughts.

This year I was fortunate enough to place first in the Young Adult category of the Genesis contest. You probably noticed a faint glow in the sky over the center of the U.S. following the conference. That was me, polishing the faux gold wreath on my plaque, sitting on a cloud, reveling in my accomplishment. Trust me. It didn’t last long. Before I got my suitcase unpacked from the conference, I received my scores from the finals’ judges. Whoops! Falling off the cloud is not nearly as much fun as getting up there. And that, my friends, is what entering contests is all about.

Fame is fragile . . . fleeting. But the judges’ scores are the gold mine . . . the nuggets that show me where my weaknesses lie and what I need to improve on. So now, I am heavily into revisions, taking my scores and seeing what I can do to improve my writing.

It had been awhile since I’d studied Donald Maass and his Writing the Breakout Novel. I had even purchased the workbook, but not cracked the spine, so I blew the dust off the cover and dug in. The first section is on character development, and the questions and exercises are worth noting. My apologies to the great Maass for summarizing here. You can learn much more from reading his theory and examples, but for today, I’ll just hit the high spots.

From the second chapter of the workbook, Multidimensional Characters:

1) What is your protagonist’s defining quality? What trait is most prominent in his personality?

This struck a chord with me because I had developed a character whose most prominent trait was self-centeredness. Not good if you want people to like your character.

2) What is the opposite of that quality?

After making some adjustments, I made my character one who takes responsibility seriously (more likeable). Now, the opposite of that is being irresponsible.

3) Write a paragraph in which your protagonist actively demonstrates the opposite quality.

Oh good. I could show my character being self-centered and irresponsible, but as an opposite trait that I want her to be loved for.

Note from the workbook: Often, after completing this exercise, writers will incorporate this paragraph into their novels. It shows that a character is multi-dimensional, more realistic, and more human.

Inner Conflict:

1) What does your protagonist most want?
2) What is the opposite of that?
3) How can your protagonist want BOTH of things simultaneously? What steps would she take to pursue these conflicting desires?

This was much more difficult for me to grasp, yet when I started working with it, I saw that in gaining what a character wants, she must concede other desires. For example, my character wants to find a hidden letter, but as she pursues this, she gets negative attention which reflects back on her as a responsible person. If she gives up her goal, she will no longer be in trouble, but must admit she failed. Showing both sides of her wants makes her a character that is memorable and lingers in the reader’s mind.

Creating larger-than-life qualities:

1) What is the one thing your protagonist would never, ever say?
2) What would she never, ever do?
3) What would she never, ever think?
4) Find places in your story in which your protagonist MUST say, do, and think those things? What are the circumstances? The consequences?

I had a lot of fun with this, but it also made me quite uncomfortable. I found, though, that this is the golden opportunity we have as writers to write those zingers we would never say in real life, but wish we could. Put your protagonist in the hot seat and see what happens (remember there are consequences).

Other chapters on character development take you through raising the stakes, handling character exposition, and developing antagonists that are worthy of their own story. For the essence of time, though, I want to share the last exercise that really helped me in honing my cast of characters. Since I write about small-town America, where people know everyone in town and all their family members as well as pets, I end up with too many characters. Here is a way to reduce your cast and enrich your story.

Combining Roles:

1) Make two columns. In the first, list the names of all major, secondary, and minor characters. In the second, write down the purpose for each character in the story (ex: support the protagonist, support the antagonist, provide special knowledge, etc.)
2) If you have ten or fewer characters, cross out the name of one. If more than ten, cross out the names of two. You get to decide which ones go.
3) You now have fewer characters, but their functions remain. Assign those functions to one or more of the remaining characters.

This makes the characters you are left with more interesting (multi-dimensional). I eliminated three from my current WIP and immediately saw a difference. I haven’t worked out all the details, but I’m having fun with it.

This should get you started on making memorable characters. To bring the point closer to home, my goal (want) in entering a contest is, of course, to win. I’ve put myself out there to be judged by others, and I cannot say enough in the way of thanks to other authors, agents, and editors who give of their time to judge contests. Their experience and opinions are invaluable. But if all I ever do is file the critique and not use it, I have missed the most critical part of entering a contest—using the information to point out the weaknesses in my writing and correcting them . . . even when the critique stings and the rewriting is hard work.

A study of Donald Maass’s book is the avenue I’ve chosen this time to examine and improve my writing. What about you? Do you have a favorite way to distill the information you receive from writing contests? What are your favorite ways to improve your writing?

Thanks again, Seekers, for having me here. You have a lovely island and I see some of the natives are preparing to launch to the mainland. God’s speed to all of you!


Carla Stewart writes women’s and young adult fiction. She lives in Tulsa, OK, where she can be found plotting writing strategies with her critique partner, Myra Johnson. You can learn more about Carla at www.carlastewart.com. She’d love for you all to visit her blog, Carla’s Writing Café.

Tuesday, August 12, 2008

Advice for handling the letdowns

A few weeks ago the local newspaper ran a feature describing do’s and don’ts for dealing with the breakup of a relationship. It struck me that some of these (or variations thereof) could also apply when we get a rejection, bad review, or painful contest critique. Here are Myra’s suggestions for handling the inevitable writing disappointments:
  • Do not, under any circumstances, make any life-altering decisions (such as throwing out your computer or burning all your manuscripts) until at least two weeks have passed. If you still don’t have any perspective, wait another two weeks. Or a month. Or a year.
  • Stay away from sharp objects. (Ask my kids about this one if you dare!)
  • Don’t post a YouTube video of you dissing the editor/agent/judge/reviewer.
  • Don’t send a hate e-mail or text message. Even anonymously. Tech experts have ways of finding out who you are. Just watch CSI or NCIS if you don’t believe me.
  • If you must blog about your disappointment, thoroughly disguise the details and certainly don’t name names! The Internet has a long, l-o-o-o-o-n-g memory. Better yet, avoid any kind of Internet-related commentary. Eat chocolate until the urge passes.
  • Don’t badmouth editors, agents, or fellow writers to your writers group. You will be the one who ends up looking like Miss (or Mr.) Whiny-Pants.
  • Vent only to someone you are absolutely 310% positive would never, ever reveal a confidence, even if tortured with chocolate deprivation or offered a three-book contract if only she will reveal your secrets. And then think twice about it.
  • Mailing anthrax will get you 20 years to life. Mailing chocolate makes friends. Unless it melts.
  • Don’t try to change your detractor’s mind with pleading, wheedling, begging, or threats. See chocolate advice above.
  • If you run into this person at a writers conference, be polite, friendly, and professional. Your reputation is on the line at this point, not theirs. You never know who may be watching. Like maybe the agent who was seconds away from signing you.
  • Send a gracious thank-you note, no matter how badly you’re hurting. As the Bible says, “If your enemy is hungry, give him food to eat; if he is thirsty, give him water to drink. In doing this, you will heap burning coals on his head, and the LORD will reward you” (Prov. 25:21-22). If not with a six-figure contract offer, at least with enough $$ to buy yourself a grande mocha latte.
Okay, readers, anything you’d add to the list? Any blunders you’d like to confess? Any public apologies you feel compelled to make, anonymously or otherwise?

While you’re thinking about it, I’ll pass around this mega-sized box of Godiva chocolates I just opened. Help yourselves . . . especially anyone I may have inadvertently whined about at some point in my career.