Wednesday, April 26, 2017

Flying at Night: The Search for Your Story's Core


There you are, flying at thirty-five-thousand feet above the earth on a cloudless, moonless night, and even with interior lights dimmed you can’t see much more out your window than the blinking of a wing light or a single far off pinpoint glimmer below. Your own faint reflection obliterates the stars.
It’s a perfect time to think about your latest story idea--which for some reason just isn’t coming together.
Ideas are wonderful. Those as yet indefinite, unformed conceptions can be found everywhere around us and are limited only by our imagination. So many choices. So much potential to be tapped into! But sometimes, even after you begin to develop those brilliant ideas into plot points, to dream up scenes and wedge them into a logical order, to give the hero lovable quirks and a decent external goal to strive for, deep down you may sense something isn’t quite right.
Despite the twists and turns and quirky characters you’ve incorporated into what you’re thinking might even be a “high concept” idea, the story may feel wooden, flat, and ho-hum. It’s as if something vital is missing. Maybe the pieces are coming together on the plot, you’re applying the recommended craft “rules”--but where’s that spark that brings it to life? The ember that ignites your enthusiasm and generates the energy required to write all the way to The End?
Maybe you’re even beginning to fear that this uncertainty, this feeling that you’re flying in the dark will be picked up on by readers--readers who will lose interest halfway through the journey you’ve placed before them and reach for the remote.
There could be lots of reasons for this nagging impression. Maybe it’s an undercurrent of concern that the scope of the story is beyond your ability or experience to tell it. Perhaps it requires more research than you have the time or inclination to tackle. You’ve bit off more than you can chew.
OR MAYBE it’s just that you simply need to re-examine the CORE of your story. Perhaps you need to not only think about “all this stuff happens to them when Dick and Jane search for the treasure,” but what do Dick and Jane learn about themselves as they search for the treasure? How does this search change them, grow them? What can they do or be at the end of the story that they couldn’t possibly have done or been at the beginning? Maybe you need to spend time going deeper and thinking about what the story is REALLY about--what the “takeaway” is that will linger in a reader’s mind long after the last page is reached.
To do that, let’s fly a bit closer to earth. Get back down to a level where you were just beginning to gain altitude for a long writing flight where ideas--like lights sparkling below—appeared as endless handfuls of glowing diamonds scattered across a field of black velvet. As with basic story ideas, character growth ideas are endless. Again, so many to choose from, but choose you must to pin down the heart and sustaining substance of your story.
So where do you begin? I always ask myself questions.
- Who is it you most admire and why do they inspire you? Have they always been that way? If not, how did they get to where they are now? Share those insights with your hero.
- What specific issues and character flaws do you see the world around you struggling with? What would need to happen deep inside to bring about positive change? Are these things your hero could also struggle with, an area of needed change?
- What personal character challenges do you wrestle with? How would you like to change? What steps can you take—or what circumstances might lead you—to grow? What lessons has life taught you or is currently teaching you? Give those same challenges and life lessons to your hero.
- What truth is your hero blind and deaf to--something he’s rejected either consciously or unconsciously?  Are others aware of it?
- What lie / misbelief does your hero hold about himself? About others?
- What will happen to your hero, to others, and to the story itself if he doesn’t change? What will happen if he does?
In answering some of these “core” questions as they relate to your own story, do you feel a little less as if you’re flying in the dark of night? Do you feel some substance to your story beginning to surface? A glimmer of light?
 
Of course on that final page of your manuscript you can’t simply wave a wand over your hero to make his inner transformation magically happen. You need to incorporate character growth into your entire story. What needs to happen to bring it about? Weave that in around the plot points you’ve given so much thought to. Readers want to experience the inner struggle as much as the outer one, to be a part of the change as it comes about. To see it illustrated at the end.
- At what point does the hero recognize his shortcomings, misbeliefs, the need to change?
- What events can you build into the story to bring about the hero’s needed change in behavior, attitude or beliefs?
- How can you illustrate this change as the story progresses and how will it make a difference in how the story ends?
Today please share in the comments section what, as a reader, your thoughts are on are on the importance or unimportance of character growth in the books you most enjoy. As a writer, do you consciously incorporate character growth into your story? Is it a forethought or an afterthought? What tips and tricks can you share with us regarding how you satisfactorily illustrate a character’s growth?
If you’d like to be entered in a drawing for a copy of my May Love Inspired release, “The Nanny Bargain,” mention it in the comments section, then check the Weekend Edition to see if you’re a winner!
Glynna
 
GLYNNA KAYE treasures memories of growing up in small Midwestern towns--and vacations spent with the Texan side of the family. She traces her love of storytelling to the times a houseful of great-aunts and great-uncles gathered with her grandma to share candid, heartwarming, poignant and often humorous tales of their youth and young adulthood. Her Love Inspired books--Pine Country Cowboy and High Country Holiday--won first and second place, respectively, in the 2015 RWA Faith, Hope & Love Inspirational Reader’s Choice Awards. “The Nanny Bargain” is on the shelves now, and coming in October is “Mountain Country Cowboy.”
Concerned for his orphaned twin brothers, outdoor-gear shop owner Sawyer Banks urges new employee Tori Janner to apply for the nanny position their grandparents are advertising…and spy for him. With plans to start over in Hunter Ridge and dreams of reviving her quilting business, Tori takes the job—but refuses to report to Sawyer unless the boys' welfare is in danger. But soon it's her own heart that's in jeopardy. Because after spending time with the committed bachelor, she starts to see the depth behind his easy charm—and begins to imagine herself as his wife…

103 comments :

  1. Hi,

    as a reader it is very important that characters grow along the way. Another way for the story to propel forward.

    Count me in for a copy of “The Nanny Bargain” thank you.

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    1. Hi, Mary! A vote for character growth being IMPORTANT! And your name's in the kitty dish!

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  2. Hi Glynna. This is a great post, thank you.

    As a reader, I want to see the characters grow or I feel like I spent time watching them chase their tails. If a character doesn't grow, or learn, the story does't move forward at a pace that I would like. I feel cheated by the end of the book.

    I would love to be entered to win a copy of The Nanny Bargain. Thank you for the chance.

    Blessings,
    Cindy W.

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    1. Good morning, Cindy! "Watching them chase their tails" -- good way of putting it. Where there isn't an inner journey of some variety, I wonder "so what was this all about?" Your name's been added to the dish! :)

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  3. Amen to this. I spend all my time searching for the core. Generally, it shows up about chapter five. LOL.

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    1. Good morning, Tina! Sometimes it DOES take a while to ferret out that integral core that you want to carry through from beginning to end, doesn't it? But it's definitely worth nailing down.

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    2. I hear you, Tina! Currently groping for enough of a "core" to write up proposal blurbs on a couple of new ideas. Ugh!

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    3. I try to start out with a one-line hook, then expand to a back-cover blurb, then to a mini-synopsis, then to the full synopsis as I write the proposal chapters. Then go back and forth between the latter two.

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  4. The timing of this post is perfect, Glynna. I'm learning that the more I know my characters, the easier it is to incorporate that growth. Great stuff here! Don't enter me in the drawing. I'm currently reading THE NANNY BARGAIN...I love those twins!

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    1. Hi, Jill! Knowing our characters is SO important. And the more we know about them before we start writing, the better off we are. Of course, we don't have weeks and months to do that when we're writing one book after another. But even a few hours time is time well spent!

      So glad you like Landon & Cubby. I had fun writing their scenes. :)

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  5. Glynna, this is spot-on. Really, we don't HAVE a story unless we know this about our characters. Two perfect people fall in love, blah blah blah, yada yada yada.
    Please put me in the drawing!
    Kathy B.

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    1. Hello, Kathy! All the perfect plotting in the world can't squeak us by, can it? In some books, of course, there may be characters who don't grow--but then that was the whole point of the story. That they didn't learn, didn't grow. Might even regress. And there are repercussions. But most usually in commercial fiction--and particularly in inspirational--readers need to see positive change or the promise of one, not stagnation.

      Your name's in the kitty dish!

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  6. Glynna, are those pics of Phoenix from above at night? It looks like Phoenix, so many straight lines! Most cities have their share of diagonals and roundabouts or curves.... Phoenix just seemed to have a lot of straight lines when we were there last year. A year ago, who'd have thunk it???

    The desert is a beautiful place in its own way. Unique....

    I love the thought of searching (or researching) your story's core... because the core is like the tree trunk, every branch begins from the core and stretches toward the light, criss-crossing the other branches in its path.

    The core is clutch.

    Did you know that JETER was part of the "Core Four", four amazing players brought up in the Yankee farm system, that formed the core of the winningest team in baseball for years.

    I WAS FORCED TO MENTION THAT, GLYNNA!!!! :)

    Great blog, and Sherrinda Stewart posted a pic of YOUR BOOK AND MINE on the shelves at a New Mexico Walmart!!!!

    I'm so happy to be on the shelves with you, my friend! And Debby Giusti will be joining us soon!!!!

    Oh, happy day!!!!

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    1. Good morning, Ruthy! Not Phoenix. Chicago, actually. Took those when I went to ACFW in St. Louis in 2014--I'd taken a detour to Des Moines for a few days en route, so had a stop in Chicago before I could journey on my way.

      Good analogy with the tree trunk and branches--and I forgive you for managing to squeeze JETER into the mix. :)

      So neat to know our May releases are together on the store shelf in New Mexico! Can hardly wait for Debby to join us!


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    2. laughing at how you got a Jeter mention in Ruthy... I'm discovering that Gupster is not going to be the next Jeter. ah well, as long as he has fun...

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    3. Deb, laughing! Remember, Michael Jordan got cut from the high school basketball team as a freshman.... :) Not everything is written in the stars we see at age 8!

      (Says the world's most competitive mother....) :)

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    4. Hi Ruth:

      Most of the U.S., west of the 13 original colonies plus Texas, (which used the Rectangular system) looks like those photos. I thought it could be Tulsa. Vince

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  7. Lovely, Glynna! Did you take the photos! Great visuals. Your CORE concept is a wonderful takeaway. Thank you!

    Characters need to change and grow. I focus on what they learn. Usually a past wound is healed and they see that pain in a new light. Often there's redemption. They come away stronger, more confident in who they truly are and able to embrace life in the present, open their hearts to love and anticipate future challenges and blessings. Hopefully, the readers find that nugget of truth that speaks to them as well.

    Your latest release looks like another fantastic Glynna read. I need to hurry to Walmart for my own copy! Always love your stories!!!

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  8. Good morning, Debby! Yep, I took the night shots as I departed Chicago a few years ago.

    You're right, past wounds being healed so a character can open their heart to love is so important, especially in a romance. Taking that inner journey along with the character lets a reader experience this transition and, hopefully, inspire them to grow as well.

    So glad you enjoy my stories! :)

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  9. This is a great post, Glynna. I'm storing up all this good stuff for when I get back to writing. I LOVE your books and the Nanny Bargain looks/sounds awesome. Of course, I LOVE all the Seeker ladies books - when so many come out at the same time, it's so hard to choose which one first to accommodate my book budget *heavy sigh* (but it's a good sigh, 'cuz its a nice "problem" to have)

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    1. DebH -- see below for my response. I put it in the wrong comment box! But then it's just after 5 here and I've been up since 4, so I guess I can be excused. :)

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  10. Hi Glynna,

    This is definitely a keeper post. I've already copied it and plan to use it on a specific story.

    Thanks so much!

    Don't add my name to the drawing, I've already got The Nanny Bargain, and it's great. Thanks!

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    1. Hi, Jackie! I'm glad the post "hit the spot" for you. And I'm happy you're enjoying The Nanny Bargain!

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  11. Good morning, Deb! Even though you're not able to write right now, I'm glad you're still hanging out with us. There was a period of several years before I was published when I was unable to write much for a number of reasons--health, day job, etc--but like a sponge I read and absorbed, evaluated what I'd written, and when I was again free to write I had a much better understanding of what "Story" was all about and could apply it. STILL learning!

    I know what you mean with trying to keep up--not just "so many books, so little time"--but limited $$! It seems like hardly a month goes by that a Seeker or a Seeker Villager doesn't have a new book out!

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  12. Glynna, this is such a great post! I'm struggling with my story now as I'm trying to plot it. I'm planning to go through your questions and see what comes out.

    Such a timely post for me! Thank you!

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  13. Hi, Jeanne! I hope thinking through some of the questions will help get you on track. Sometimes knowing why a character is the way they are and how they need to grow helps to develop plot points and scenes that will push them closer to the lessons they need to learn.

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  14. Great ideas for the illusive core! Please toss my name in the kitty dish. It's a beautiful spring day. Time for new beginnings and reflection.

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  15. Hello, Bettie! Your name's in the kitty dish! So jealous of your beautiful spring day! Its COLD here in the mountains and windy. BUT the leaves are starting to come out on my maple tree, so there IS hope that spring is around the corner for me, too!

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  16. Good morning Glynna, Wow this ties right into my post yesterday about deepening the characters so you can deepen the plot. What a great list of things to do, questions to ask so you end up with that compelling hero or heroine. And I so needed this at this point in my story. Have a great day and thanks.

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    1. Hi, Sandra! Glad this post worked well with yours. :) I'm ALWAYS having to ask myself questions as I plan & write the book. WHO ARE THESE PEOPLE? WHY ARE THEY LIKE THIS? HOW DO THEY NEED TO CHANGE? WHAT IN THE STORY WILL MAKE THEM CHANGE?

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    2. Yes, great questions. I'm writing them down now for my current wip. smile

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  17. Good morning Glynna.
    With me, I think it depends on how I come up w/the story. Sometimes it's the characters and I wrap the plot around them. Other times it's the plot and I must create characters to fit it.

    It seems if I come up w/characters first, I can get lost flying in the dark because even though I know these people inside out, I'm not certain what to do w/them.

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    1. Good morning, Connie! I've worked both ways, too. Sometimes a plot idea surfaces first and I have to figure out who the people are, other times the characters are first and I have to figure out a plot that will address the growing inner as well as outer journey. Funny how that is sometimes, isn't it? But either way, like you, I know I have to drill down to who those characters are to find a deeper level to my story. Inner journeys come much more naturally to me than the outer one.

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  18. Hey, Glynna, EXCELLENT questions to ask when something doesn't feel quite right about a character, scene, or plot. I particularly was struck by the question, "What personal character challenges do you wrestle with? How would you like to change?"

    You know, I have never really thought about that as far as my own personal challenges, but in doing so via this post, I realize that that's what I often do in my books -- which is why the spiritual lessons I incorporate always hit me so hard, I guess, because God is often taking me through them in my own life as I write them!

    You asked, "As a writer, do you consciously incorporate character growth into your story? Is it a forethought or an afterthought?"

    No, I don't consciously incorporate character growth into my stories. I'm just basically trying to get the characters to God's answer for their lives via His precepts, which automatically brings growth. Not only for the characters, but for me. AND, I hope, for any readers.

    Great post, my friend!

    Hugs,
    Julie

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    1. Good morning, Julie!!! I often find, too, that my characters are dealing with some facet of my own inner journey that God is dealing with me on.

      I've heard that writers tend to revisit a "theme" in all their books...maybe trust or forgiveness...or whatever. I've often thought my ongoing theme is "growing up in God" -- which is the "theme" of my life, too.

      I think you succeed quite well with subconsciously growing your characters to get where God wants them to be!

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    2. Same here, Glynna. The same general themes seem to keep popping up in my stories. Sometimes I worry that I'm just rewriting the same basic story with different characters and settings.

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    3. James Rubart said, during an ACFW workshop, that we all have a particular theme or message we want to impart to our readers, which runs through each of our stories. I think he's right.

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    4. I wonder what our readers would say is our "theme" throughout our books?

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  19. Golly, Glynna, I never thought about my hero and heroine's development in this way: What will happen to your hero, to others, and to the story itself if he doesn’t change? What will happen if he does?

    I know they change, and I know how they change, but I never considered the 'what if.' That makes it much more interesting, brings up all kinds of possibilities.

    I like to read (or watch) character-driven stories and want change in the main character/s -- or to see something new about the character if it's a series. PBS had a series titled "Father Brown" that I enjoyed. He didn't change overly much, but each week I found out something new about him. I became acquainted with him the way we usually get to know someone in real life ... a little bit at a time. As I got to know him, there was fun in anticipating how he would react to certain situations. And then he would pull a surprise. I like that kind of engagement in books, too.

    Thanks for making me consider 'what if'!

    Nancy C


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    1. Good morning, Nancy! I like a well-written book or TV series, too, where you gradually see the characters evolve. Peel back the layers one at a time. You learn a bit more here and there about who they are and what made them that way--you start to feel as if you know them and care what happens to them, what decisions they make.

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  20. Hey, Glynna, EXCELLENT questions to ask when something doesn't feel quite right about a character, scene, or plot. I particularly was struck by the question, "What personal character challenges do you wrestle with? How would you like to change?"

    You know, I have never really thought about that as far as my own personal challenges, but in doing so via this post, I realize that that's what I often do in my books -- which is why the spiritual lessons I incorporate always hit me so hard, I guess, because God is often taking me through them in my own life as I write them!

    You asked, "As a writer, do you consciously incorporate character growth into your story? Is it a forethought or an afterthought?"

    No, I don't consciously incorporate character growth into my stories. I'm just basically trying to get the characters to God's answer for their lives via His precepts, which automatically brings growth. Not only for the characters, but for me. AND, I hope, for any readers.

    Great post, my friend!

    Hugs,
    Julie

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    1. Hi again, Julie! See above for my response. :)

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  21. Glynna, your post is unique and important! Character growth and that takeaway you talk about is why we write. Your questions are excellent ways to get to the core of our stories. Once I know my hero and heroine, I know what they need to change, what keeps them stuck in the past unable to move forward and to fall in love. Developing a story that will make that happen is part of my plotting so I guess character growth is conscious on my part, though some things always happen as I write that I didn't plan. Somehow the characters help me along the way. :-)

    Janet

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    1. Hello, Janet! So true that some things happen that we didn't plan on, things that we didn't know about the character when we started them on their journey and suddenly we discover something that is a MAJOR part of them and their personal growth. That's such a wonderful feeling, isn't it?

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  22. Well, have to step out for a bit, but I shall return! Looking forward to hearing your thoughts on developing the core of your story!

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  23. Glynna, I think writers can't help addressing their own issues through the story. Not that we've necessarily experienced what the characters have endured, but more that writing the story helps us work through emotions and issues of our own.

    Janet

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    1. I've never lived out what my poor characters have to do through, thank goodness! But I think because we can dig deep and apply those emotions and issues to totally "unlike" situations, it helps deepen the story and characterization.

      And readers bring a part of themselves to the table, too. All that THEY are and have experienced. I'll have a reader tell me that they really related to ABC or were touched by XYZ -- and for the very same book another reader will call out totally different things that drew them and what they got out of it.

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  24. Very timely for me, Glynna! I'm in the middle of drafting a new series proposal. I'm getting a fairly good handle on the first story, but the next two still need a LOT of thinking through with just these types of questions!

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    1. Myra, I think it's so difficult to plan multiple books like that!

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    2. Right, because I need just enough to present a plausible scenario for each future book but without thinking it out in minute detail.

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    3. After I finish this current one, I'll be working on a new series, too, Myra. So much to think about so that they tie together with an overall series arc but each has their own story arc.

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    4. Planning a series is difficult. Of course, coming up with each new story is difficult too. Although I love brainstorming! Love how the creative energy flows. Wish it would always flow that readily...especially when I'm alone with my computer and wondering about the next stage of my hero/heroine's journey!

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    5. For my first series set in Canyon Springs, I didn't know for sure if it would even BE a series until after the first book sold shortly after I'd written it. So not much series planning in advance there. Quite a bit more planning went into the Hearts of Hunter Ridge, but what I'd proposed as a trilogy and had thought through all 3 books, my publisher wanted as a 6-book so I had to scramble for the last 3. So you can bet a lot of planning will go into this next trilogy, keeping in the back of my mind that it might need to suddenly be expanded!

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  25. In one book I am working on the character is dealing with anger and forgiveness after being hurt in a deep way. I hope that I have conveyed a growth as she heals from this hurt.

    Congrats on your May release. Hoping I win a copy but if not I will look for it at at Walmart.

    Have a great day everyone.

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    1. Thank you, Wilani! I've thrown your name in the kitty dish. Yes, it's out at Walmart now, at least here in the West.

      That's good that you already know the change journey for your current story so you can weave it in as you write and revise.

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  26. Thanks for sharing your insights, Glynna! You've given me lots to work with here!

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    1. Hello, Kelly! I'm happy to know the blog may be of some help!

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  27. Hi Glynna:

    I just love your flying analogy. One reason I'm an avid plotter is that I've actually flown by the seat of my pants! And that's not where the brains are. : )

    Flying is a great analogy. First be prepared. Do your flight check. So many in-flight problems can be eliminated by using a check list on the ground to verify all systems are in order. Also check the gas level in both regular and reserve tanks. If you run out of gas at a mile high, it's not like pulling over to the side of the road in a car. Make sure you have enough gas to get there. Always file a flight plan so if you get lost or crash and burn, they know where to look for you. More importantly get your balance right. A perfect plane can crash if you have the weight in the wrong places. Know your ability. If you fly beyond your ability, officials will often have to dig you and your plane out of the ground!

    Of course, all the above needs to be accomplished before you take off. If you are tempted to be a SOTP, STOP!

    It occured to me in reading your post that ideas like:

    "Maybe you need to spend time going deeper and thinking about what the story is REALLY about--what the “takeaway” is that will linger in a reader’s mind long after the last page is reached."

    Show the need for a real solid 'Moral Premise'.

    If X, then Y
    But if not X then Z.


    Do your characters go from x to y and fulfill the MP or do they fail and wind up at z? These key questions stem from the MP and this makes me see a deeper purpose in working out an important to the story MP.

    Maybe the Moral Premise should be the first idea to work out when coming up with a new story. I think doing so would be a great advantage to pantsers.

    Please enter me into the drawing for "The Nanny Bargain" which I noticed has two wonderful five star reviews on Amazon before it was released. I did not think Amazon would allow that! Have the rules changed?

    Vince

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    1. Hi, Vince! I like your detailed flying analogy. Perfect comparison to writing!

      When I wrote this, I was trying not to specifically get into Moral Premise per se as sometimes people who haven't studied it find the name of it a stumbling block, kind of off-putting. But yes, the moral premise is a strong backbone for your story and can keep you on track.

      Yes, aren't those nice reviews? Even though Ruthy's and my books are May "releases" their scheduled release date was actually over a week ago.

      Your name is in the kitty dish!

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  28. Glynna, this is such a great reminder. I think the character growth and internal "stuff" is what makes a story. It's my favorite part of writing and of reading. I really like using Stan Williams's The Moral Premise to chart my characters' growth.

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    1. Aha! I see Vince also mentioned the Moral Premise. :)

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    2. Fascinating how all these various takes on getting to the core story tend to springboard off each other.

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    3. Missy -- I think it was my agent who recommended Stan Williams' book when I first was getting off the ground as a writer. So many great insights.

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  29. What a great post! I never thought to ask those deep questions. I guess when I wrote the inner journey surfaced on it's own, but inevitably I would get stuck. This has really helped bring things to the light. Thx!

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    1. Jeri, once I have a fairly clear vision for a story, I usually have to let my characters start telling me their own stories as I write the first several scenes. Then the inner journey does begin to reveal itself. But you still have to continually ask those important "why" questions.

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    2. Myra, I agree. And that beginning, learning part can take SOOOO long for me!

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    3. BTW, I should add that the first 3 chapters used to be so easy for me. I don't know what I'm doing differently now that makes it so much more difficult.

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    4. Hi, Jeri! I'm glad the post may help! Asking questions when I'm trying to launch a new story really helps me get going. "Ideas" are a dime a dozen, but true STORY is harder for me to come by. I have to dig deep for both the external and internal journey of my hero and heroine. There are so many options that at the beginning it can be overwhelming. But if I can ask myself questions, start to narrow the field, then it seems like the story begins to gradually come alive, to be more focused.

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    5. Jeri! I didn't see you there, hiding behind the coffee urn. Good to see you! How's your writing coming along?

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  30. I'm in the ugly stage of starting a story that is plotted out but the characters were remaining vague for me. Ugly. I much prefer when I'm trying to keep up with them instead of trying to drag them along. I finally had a breakthrough when one of them let me in on a part of their backstory!
    Glynna, I love the idea of flying at night. I'm a window-clinger when I fly. Just staring out and watching the landscape below. Night flights are such a good comparison. (But now I want to fly somewhere again, soon!)

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    1. I agree with y'all on the dragging along characters. No fun.

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    2. My characters aren't as forthright as I would like. Often I feel like I'm dragging the story out of them.

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    3. Hello, Debra! Sounds like you were off to a rough start on your latest story. It's so hard to pick and choose from all the endless options, to narrow the scope to something you want to live with from page one to The End. If I decide THIS, then that changes THAT. And if I choose A instead of B, that means I have to ditch C. It's always a tussle for me at the beginning, so asking myself questions to help me focus helps immensely.

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  31. Debra!!! YOU NAILED IT. "I'm in the ugly stage of starting a story that is plotted out but the characters were remaining vague for me. Ugly. I much prefer when I'm trying to keep up with them instead of trying to drag them along."

    I hate this part. I feel like a puppet master and it is really no fun.

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    1. Exactly. There now. I keep finding other things to do so I don't have to think about this proposal.

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    2. That's when housecleaning looks like a good option, right, Myra? :)

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    3. I can relate. Cleaning closets and pulling weeds can sometimes have immense appeal!!

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    4. LOL! I usually force myself to stay at my computer, but I bounce back and forth between the wip, Facebook, the wip, Twitter, the wip, online shopping, the wip . . .

      You get the picture! ;)

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    5. And no, Debby. Housecleaning is NEVER a good option!

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    6. We should collaborate Tina. I have the characters but not the plot. LOL. Well I'm getting it now with all this help. But starting out can be tough sometimes I guess.

      And Debby, I'm never to the point where housekeeping looks better. LOL. Maybe free cell or cooking. But housekeeping. No. I give that to my housecleaner.

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    7. Sandra -- the inner journey comes much more naturally to my writing, too.

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    8. laughing so hard at the housecleaning NEVER being a good option to a hard day at the computer screen... *mwah-ha-ha-ha-ha...*

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  32. So glad to hear from these comments that I'm not the only one who struggles with a new wip. Sometimes it just flows, but this one is getting to be tough. However, the struggle has given me some stuff to talk and think about. yay

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    1. Sandra -- maybe with this one being such a hard "birth," it will turn out to be an exceptional addition to your other literary "kids." :)

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  33. Character growth... yeah let's just say that I'm glad that I have a whole series to develop my characters and so can look at it with a wider span, plus by the time you're in the third book about those characters you'll have gotten pretty attached to them and so their journey and growth almost feels like your own.

    Sometimes I find my characters growing without even trying to write it in. But at other times I have to actually go back and add it in, which is never fun.

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    1. Hi, Nicki! I've written series books, but never and ongoing series about the same character. I imagine you DO feel like you know them very, very well! It's nice when your characters grow on their own without a lot of help, but even if you have to go back to weave in what's "missing," if you do it well readers will never know the difference!

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  34. Great post, Glynna. I think I try to incorporate character growth. I will keep all these points in mind as I write.

    Please enter me in the drawing.

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    1. Hello, Sandy! There's always SO much to remember when trying to pull together a new story. I find check lists (like for these questions) help me get launched.

      Your name's in the kitty dish!:)

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  35. Wow, Glynna! I was so impressed by your description of flying an airplane, I thought it must be a real pilot who was writing this post! I had to check out who it was. And now I have to go back and read the rest of the post, which looks very meaty and helpful!!! I'm always interested in good plotting techniques. :D

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    1. LOL, Melanie, you're easily entertained today! :)

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  36. A story about twins and Hunter Ridge...WHAT could be better! Can't wait to read this one, Glynna!

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    1. Hi, Jackie! I had so much fun writing the twins. :)

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  37. The core of stories is very important to me. My favorite books and movies have very compelling themes. I endeavor to make my own stories not only interesting on a superficial level, but to the soul as well. This post is very good for me right now, because I think I need to work on my WIP core a bit more.

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  38. H, Boo! I'm glad you found something in the post that might help where you are in your WIP right now. I like your pursuit of making your stories speak on the "soul level," too.

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  39. Great post, Glynna! In the first book I completed (pre-Seekerville) I did not consciously incorporate character growth into my story - it was an afterthought. The next two books (written while I made frequent visits to Seekerville) were much different. I learned something with every visit - and this time was no exception. Thank you!

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    1. Hi, Laura! So happy Seekerville is helping you along your writing journey! :)

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  40. Glynna, thanks for the post about character arcs and the story's core. I'm more of an example of the reverse. As I edited, I knew the original ending did not show the hero's change. So it was back to the drawing board and a rewrite of the end. Although it would have been easier if I had seen that as I wrote that draft, I finally woke up to my hero having to demonstrate he had changed through the course of the book, or rather, gone back to the person who he really was meant to be but lost with over the course of time. Thank you, Glynna.

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    1. Hello, Tanya! That's the beauty of editing, isn't it? Never too late to make your character's journey the one you want it to be!

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  41. Great post Glynna! Definitely things I need to apply.

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    1. Hi, Terri! Thanks for stopping by! I hope the post will be helpful! :)

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  42. As a reader, i am drawn to characters who are multi-faceted. We humans have our strengths and weaknesses and hopefully we learn and improve through our experiences. Character should do the same!
    I would love to be entered in your drawing for a copy of “The Nanny Bargain,”
    Thank you and Blessings!
    Connie
    cps1950(at)gmail(dot)com

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    1. Hi, Connie! So true! People aren't cookie cutter characters and neither should the people be who we want to come alive in our books!

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